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I Am of the Tribe of Judah
The first anthology of its kind, I Am of the Tribe of Judah: Poems from Jewish Latin America brings together poetry from the Mexican border to the tip of South America. Originally written in Spanish, Portuguese, Yiddish, Ladino, Casteidish, and Hebrew, these poems have been translated into English, many for the first time, by a group of prize-winning translators. This multilingual collection looks at the tradition across more than five hundred years, featuring poems that exalt being Jewish, whether Ashkenazi or Sephardic, and poems that express humor and satire. Conversely, there are poems in response to anti-Semitism and poems of exile, of protest, and of the Holocaust. In a different mode, there are wondrous poems on mysticism and Kabbalah. The book includes an insightful introduction and historical background by world-renowned literary and social critic Ilan Stavans, professor at Amherst College.
Childhood in the Works of Silvina Ocampo and Alejandra Pizarnik
In the final analysis, Ocampo's works achieve equilibrium between childhood and age, whereas Pizarnik's much-discussed poetic crisis of exile from language itself parallels her deep sense of anxiety at being exiled from the world of childhood."--BOOK JACKET.
Crossing Borders, Claiming a Nation
In Crossing Borders, Claiming a Nation, Sandra McGee Deutsch brings to light the powerful presence and influence of Jewish women in Argentina. The country has the largest Jewish community in Latin America and the third largest in the Western Hemisphere as a result of large-scale migration of Jewish people from European and Mediterranean countries from the 1880s through the Second World War. During this period, Argentina experienced multiple waves of political and cultural change, including liberalism, nacionalismo, and Peronism. Although Argentine liberalism stressed universal secular education, immigration, and individual mobility and freedom, women were denied basic citizenship rights, and...
Handbook of Autobiography / Autofiction
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
Workshop of Revolution
The plebeians of Buenos Aires were crucial to the success of the revolutionary junta of May 1810, widely considered the start of the Argentine war of independence. Workshop of Revolution is a historical account of the economic and political forces that propelled the artisans, free laborers, and slaves of Buenos Aires into the struggle for independence. Drawing on extensive archival research in Argentina and Spain, Lyman L. Johnson portrays the daily lives of Buenos Aires plebeians in unprecedented detail. In so doing, he demonstrates that the world of Spanish colonial plebeians can be recovered in reliable and illuminating ways. Johnson analyzes the demographic and social contexts of plebeia...
Gendered Crossings
Gendered Crossings brings to life the diverse settings of the Iberian Atlantic and the transformations in the peasants' gendered experiences as they moved around the Spanish Empire.
Staging Frontiers
Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.
Americana
Dunkerley's majestic and unorthodox look at the Americas of the 1850s from an Atlanticist perspective: a re-appraisal, illuminated by court cases, of the first steps in American modernity.
The Senses of Democracy
In The Senses of Democracy, Francine R. Masiello traces a history of perceptions expressed in literature, the visual arts, politics, and history from the start of the nineteenth century to the present day. A wide transnational landscape frames the book along with an original and provocative thesis: when the discourse on democracy is altered—when nations fall into crisis or the increased weight of modernity tests minds and nerves—the representation of our sensing bodies plays a crucial role in explaining order and rebellion, cultural innovation, and social change. Taking a wide arc of materials—periodicals, memoirs, political proclamations, and travel logs, along with art installations ...
Humanities
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music
