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Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
Drawing on Ezra Pound's notebooks, typescripts and contri-butions to periodicals, Posthumous Cantos is a selection of drafts and sketches that remained unpublished or uncollected in the poet's lifetime. The material spans the entire half-century of Pound's Cantos, 1915 to 1970, and includes newly-recovered passages he wrote in Italian in 1944-45, presented here in their original form alongside English translations. Accompanied by detailed introductory and explanatory notes and a full chronology, Posthumous Cantos offers new insight into the making of one of the twentieth century's most important and forbidding literary works, revealing it as an endless process of writing and rewriting, in which the poetry and the life are finally inextricable. This is a crucial part of the Pound canon, here made available for the first time in an English edition.
By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how Pound’s modernism changed as a result of involvement in Italian politics and culture.
Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema. By examining the work of directors such as Marinella Pirelli, Mirko Locatelli and Cesrae Zavattini, the book defines, inspects and studies the cinematic panorama of Italy through a new lens. It thereby explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
The Imaginary and Its Worlds collects essays that boldly rethink the imaginary as a key concept for cultural criticism. Addressing both the emergence and the reproduction of the social, the imaginary is ideally suited to chart the consequences of the transnational turn in American studies. Leading scholars in the field from the United States and Europe address the literary, social, and political dimensions of the imaginary, providing a methodological and theoretical groundwork for American studies scholarship in the transnational era and opening new arenas for conceptualizing formations of imaginary belonging and subjectivity. This important state-of-the-field collection will appeal to a bro...
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Because Charles Wright occupies a large space in contemporary American poetry, it is only natural that his readers over the years have wanted to engage him in conversation and discover more about his career and inspirations. In this collection of richly detailed interviews conducted between 1979 and 2006, Wright eloquently discusses a range of topics, including the beginning of his poetic career in Italy, his experiences at the University of Iowa, the American and European influences on his work, contemporary poets he admires, his place in Southern literature, the art of translating poetry, and such formal matters as his lineation and rhythmic phrasing, his use of syllabics, and the development of his characteristic style. An extensive bibliography of writings by and about Wright supplements the interviews.
In the age of big data, evidence keeps suggesting that small, elusive and infrequent details make all the difference in our appreciation of humanistic texts—film, fiction, and philosophy. This book argues, from a cross-disciplinary perspective, that expertise in humanistic translation is precisely the capacity to capture those details that are bigger than they seem. In humanistic translation, the expert handling of big details usually serves audiences and the original, but mala fide translation also works the details for subtle manipulation and audience deception. A focus on textual detail is therefore characteristic of humanistic translators but also compatible with central claims of the ...
The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.