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Ubïq
The work of French multimedia artist Mathieu Briand confounds our preconceptions of visual language by drawing on sources outside traditional art practices. He embraces a domain that encompasses electronic media and music, the sciences, new technology, architecture, phenomenology and virtual space, as well as the protocols of games and rituals. Consequently his work is often produced in collaboration with other artists, scientists, engineers and philosophers, making him an especially appropriate candidate for Dis Voir's new Encounters series, which allows contemporary artists to collaborate with colleagues they would otherwise not come across, on a specific artist's book project they would o...
Interactive Art and Embodiment
Nathaniel Stern's 'Interactive Art and Embodiment' defies the world of interactive art and new media from the perspective of the body and identity. It presents the ongoing and emergent processes of embodiment in art and includes immersive descriptions of interactive artworks.
Mathieu Briand
Présente les installations de M. Briand exposées à Lyon en 2004 qui font suite à celles de l'exposition au Palais de Tokyo à Paris en 2003-2004. Propose des études et des essais sur son oeuvre, ainsi que des photographies et un descriptif de plusieurs de ses installations qui offrent au visiteur une expérience sensorielle et interactive associant le son, l'image et le toucher.
Precarious Visualities
The transformation of our relation to images in contemporary visual culture.
Dreams
None
Codex
Rudy Ricciotti was born in 1952 in Algier. He studied in Geneva and Marseilles before opening his own architectural office in Bandol (Bouches-du-Rhone) in 1980. His early works are characterized by a radical, carefree approach, displaying a variety of forms and full of energy. Since the beginning of the 1990s Ricciotti has been influenced by the Arte Povera and his buildings have become more austere and functional, making use of minimalist and "lowtech" solutions. With the opening of the concert hall in Potsdam, and the construction of a foot bridge in Seoul, Ricciotti has finally found international recognition. Our publication is a detailed yet critical analysis of his work to date. The first monograph on the work of Rudy Ricciotti whose architecture is extravagant yet radiates Mediterranean simplicity, is powerfully expressive yet gently ironic.
Digital Currents
Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and theoretical implications of each to create a foundation for understanding this developing field. Digital Currents fills a major gap in our understanding of the relationship between art and technology, and the exciting new cultural conditions we are experiencing. It will be ideal reading for students taking courses in digital art, and also for anyone seeking to understand these new creative forms.
Transcinemas
Transcinemas é um mapa da minha pesquisa como pesquisadora do Conselho Nacional de Desenvolvimento Científico e Teconológico (CNPq) e professora da Escola de Comunicação da Universidade Federal do Rio de Janeiro (ECO-UFRJ) nos últimos anos, e como tal, mantém sua condição investigativa, o que equivale a dizer que é apenas um entre muitos percursos possíveis para o conhecimento da imagem contemporânea. Pude conversar com a maioria dos teóricos e artistas aqui reunidos, e definir a pertinência de cada texto ou trabalho. Gostaria de agradecer imensamente a participação de todos e, em particular, a Raymond Bellour e Anne-Marie Duguet por suas valiosas críticas e sugestões. A André Parente agradeço a enorme colaboração em cada etapa da organização e a inspirada presença.
Mimar.ist Sayı 4
Mimar.ist 4. Sayısı
