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She discusses the factors that provoked the war and how they affected Spanish women - both the "visible" women who during the turbulent 1920s and 1930s tried to become part of mainstream politics and the "invisible" women who came to the fore during the revolutionary years of the Second Spanish Republic from 1931 to 1936 and became activists in the protest against the military insurrection of 1936.
The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them. In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.
"The human dimension in the novel revolves around the romantic entanglements of three youthful women whose different personalities reflect their regional provenance in a somewhat stereotypical manner: Aurora is a sweet blond woman from Spain's northern highlands, Rosario is a professional newspaper reporter from Madrid, and Casilda is a dark-haired and passionate Andalusian beauty."--BOOK JACKET.
Throughout Spain's tumultuous twentieth century, women writers produced a dazzling variety of novels, popular theater, and poetry. Their work both reflected and helped to transform women’s gender, family, and public roles, carving out new space in the literary canon. This multilingual collection of essays by both scholars and creative artists explores the diversity of Spanish women's writing, both celebrated and forgotten. Contributors: Nicole Altamirano, Marta E. Altisent, Emilie L. Bergmann, Alda Blanco, Sara Brenneis, Kathleen M. Glenn, P. Louise Johnson, Jo Labanyi, Geraldine Cleary Nichols, Pilar Nieva de la Paz, Soledad Puértolas, Clara Sánchez
Until recently, histories of women tended to be segregated from the larger historical context. This pioneering volume places the role of women within the history of the interwar years, whenboth the women's and socialist movements became prominent, and raises the key question of how power was distributed between the genders in a historical setting. The emblematic title of this volume highlights the fundamental conception of this comparative study of eleven West European countries: that in the interwar decades two great movements gained in strength, converged, diverged, competed, and cooperated. Each of these movements is viewed as acomplex matrix of organized and unorganized participants. How...
Women's political emancipation was amongst the most revolutionary of the feminist reforms enacted by the II Spanish Republic (1931-1939). Matilde de la Torre (1884-1946) was one of Spain's first female politicians, winning a seat for the Socialist Party (PSOE) in Oviedo in the 1933 and 1936 elections. A vocal advocate of women's and workers' rights, De la Torre played an active role in seminal moments and debates in Republican Spain, including the struggle for women's suffrage, the 1934 Asturian revolution and the Spanish Civil War (1936-1939). In the first comprehensive study of De la Torre's life and works, Deborah Madden interrogates the intersection of socialist and feminist discourses in De la Torre's writings, focusing on how she navigates tensions between the two, often conflicting, ideologies. Deborah Madden is a postdoctoral researcher at Radboud University, Nijmegen (2022-). She was awarded the 2019-2020 AHGBI-WISPS Dorothy Sherman-Severin Fellowship to conduct research for this monograph, and was formerly a Leverhulme Trust Postdoctoral Fellow at the Instituto de Investigaciones Feministas, Universidad Complutense de Madrid (2020-2022).
This beautifully written biographical work depicts the lives of four extraordinary women to paint a vivid, dramatic, and poignant portrait of the ideologies, horrific realities, and long-lasting emotional costs of the Spanish Civil War (1936-1939).
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
"Study of the role women played in the Mexican Revolution and the Spanish Civil War. Examines female figures such as the soldaderas of the Mexican Revolution and the milicianas of the Spanish Civil War and the intersection of gender, revolution, and culture in both the Mexican and the Spanish contexts"--Provided by publisher.