You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Originating in 1891 in the Port City of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship.
In this collection of original essays, twenty-five leading scholars reconsider the long history of proportional systems across numerous periods and places, and from diverse methodological approaches including archival exploration, advanced laser scanning, and more. Prior to the advent of modern structural engineering, architects and builders used proportional systems to imbue their works with a general condition of order that was integral to their intertwined notions of beauty and structural stability. These mostly invisible intellectual frameworks ranged from simple grids and symbolic numbers, to sly manipulations of geometry and numbers that required privileged knowledge and arithmetical calculations to access. Since the origins of architectural history, proportional systems have served as objects of belief and modes of iconographical communication. Whether they are capable of fulfilling more tangible functions remains a matter of debate today, for this ancient and diverse belief system continues to infiltrate architectural thinking in subtle and sometimes surprising ways.
Akiva Cohen investigates the general research question: how do the authors of religious texts reconstruct their community identity and ethos in the absence of their central cult? His particular socio-historical focus of this more general question is: how do the respective authors of the Gospel according to Matthew, and the editor(s) of the Mishnah redefine their group identities following the destruction of the Second Temple? Cohen further examines how, after the Destruction, both the Matthean and the Mishnaic communities found and articulated their renewed community bearings and a new sense of vision through each of their respective author/redactor's foundational texts. The context of this study is thus that of an inner-Jewish phenomenon; two Jewish groups seeking to (re-)establish their community identity and ethos without the physical temple that had been the cultic center of their cosmos.
In The Gospel of Matthew and Judaic Traditions, Herbert W. Basser, with the editorial help of Marsha Cohen, utilizes his encyclopaedic knowledge of Judaism to navigate Matthew’s Gospel. This close, original reading explicates Matthew’s use of Jewish concepts and legal traditions that have not been fully understood in the past. Basser highlights Gospel sources that are congruent with a wide swath of extant Jewish writings from various provenances. Matthew affirms Jesus’ end-of-days—the coming of the Kingdom—salvation message: initially meant for Jews, it is the Gentiles who embraced his message and teachings that encouraged their faith and simple trust. Matthew’s literary art manages to preserve the Jewish details in his sources while disclosing an anti-Jewish and pro-Gentile bias.
A far-reaching examination of exoticism, cultural internationalism and modernism's encounters with Indonesian tradition, Performing Otherness examines how Indonesia entered world stages through imperialism as an antimodern phantasm and through nationalism became a means of intercultural communication and cultural diplomacy.
None
The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting histor...
Matthew Hindman reveals here that, contrary to popular belief, the Internet has done little to broaden political discourse in the United States, but rather that it empowers a small set of elites - some new, but most familiar.
Polygamy, forced marriage, female genital mutilation, punishing women for being raped, differential access for men and women to health care and education, unequal rights of ownership, assembly, and political participation, unequal vulnerability to violence. These practices and conditions are standard in some parts of the world. Do demands for multiculturalism--and certain minority group rights in particular--make them more likely to continue and to spread to liberal democracies? Are there fundamental conflicts between our commitment to gender equity and our increasing desire to respect the customs of minority cultures or religions? In this book, the eminent feminist Susan Moller Okin and fif...
The magic of early Renaissance architecture. The notion that numerical proportional systems contribute to the serene, orderly appearance of the basilica of San Lorenzo has long stood as a virtual axiom of architectural history. In this book, Cohen challenges this and many other long-standing preconceptions about proportional systems in the history of architecture. Using Brunelleschi's basilicas of San Lorenzo and Santo Spirito as case studies, the author presents a detailed analysis of his comprehensive measurements of these buildings, which he recorded from scaffolding, meticulous observations of the built fabric, and a variety of documentary sources. This book presents a rigorous new approach to an important but little studied area of architectural history and is essential reading for anyone interested in medieval and Renaissance architecture.