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Light at Midnight chronicles Matthew A. Fike's adventures and misadventures as a founding faculty member of the American University in Bulgaria (AUBG), the first American liberal arts institution in Central or Eastern Europe. During his self-imposed exile, Fike loved well, fought hard, enjoyed terrific friendships, deepened his pedagogical and scholarly portfolios, bought and lived on a high-end blue water sailboat, experienced a minor psychic awakening, visited the afterlife, and traveled to Moscow to find romance. In the course of these events, however, his exile from traumatic experiences in the Midwest became A European Journey to greater self-understanding. This book thus provides not only an eyewitness to a key moment in the history of higher education but also a well-written, brutally honest, and often hilarious account of a young man's coming of age.
Jungian Perspectives on Rebirth and Renewal brings together an international selection of contributors on the themes of rebirth and renewal. With their emphasis on evolutionary ancestral memories, creation myths and dreams, the chapters in this collection explore the indigenous and primordial bases of these concepts. Presented in eight parts, the book elucidates the importance of indirect, associative, mythological thinking within Jungian psychology and the efficacy of working with images as symbols to access unconscious creative processes. Part I begins with a comparative study of the significance of the phoenix as symbol, including its image as Jung’s family crest. Part II focuses on Nat...
Employing the analytical psychology of Carl Jung, Matthew A. Fike provides a fresh understanding of individuation in Shakespeare. This study of "the visionary mode" - Jung s term for literature that comes through the artist from the collective unconscious - combines a strong grounding in Jungian terminology and theory with myth criticism, biblical literary criticism, and postcolonial theory. Fike draws extensively on the rich discussions in the Collected Works of C. G. Jung to illuminate selected plays such as A Midsummer Night s Dream, The Merchant of Venice, The Henriad, Othello, and Hamlet in new and surprising ways. Fike s clear and thorough approach to Shakespeare offers exciting, original scholarship that will appeal to students and scholars alike.
The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their sc...
C. G. Jung believed that popular fiction often conveyed unvarnished psychological truths. In this volume, Matthew A. Fike skillfully analyzes the novels under consideration in Jung's 1925 seminar on analytical psychology, critiques the discussion, corrects Jung's ill-informed perspectives, and sheds light on a neglected area of Jungian literary studies. Jung originally planned to discuss several novels about the anima--Henry Rider Haggard's She, Pierre Beno t's L'Atlantide, and Gustav Meyrink's The Green Face. At the request of his participants, he dropped Meyrink and included a text about the animus, Marie Hay's The Evil Vineyard. Fike demonstrates that Haggard's She and Beno t's L'Atlantid...
Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama and the cultural anxieties it expresses.
"Looking forward to your summer rental? Think again."- Publisher's Weekly Book of The Day "A funny and insightful book that reminds all travelers that sometimes worst-case scenarios do come true. While all relate nightmare trips abroad, each is told with a sense of humor that ultimately transforms the nightmare into a useful lesson for us all." - Santa Cruz Sentinel Rapoport's anthology goes straight for the belly laugh. - St. Petersburg Times "What makes this collection so appealing is the ordinariness of the victims."- New York Times
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Bodies on the Line offers the first sustained study of the poetry reading in its most formative period: the 1960s. Raphael Allison closely examines a vast archive of audio recordings of several key postwar American poets to explore the social and literary context of the sixties poetry reading, which is characterized by contrasting differing styles of performance: the humanist style and the skeptical strain. The humanist style, made mainstream by the Beats and their imitators, is characterized by faith in the power of presence, emotional communion, and affect. The skeptical strain emphasizes openness of interpretation and multivalent meaning, a lack of stability or consistency, and ironic det...
C. G. Jung understood the anima in a wide variety of ways but especially as a multifaceted archetype and as a field of energy. In Anima and Africa: Jungian Essays on Psyche, Land, and Literature, Matthew A. Fike uses these principles to analyze male characters in well-known British, American, and African fiction. Jung wrote frequently about the Kore (maiden, matron, crone) and the "stages of eroticism" (Eve, Mary, Helen, Sophia). The feminine principle’s many aspects resonate throughout the study and are emphasized in the opening chapters on Ernest Hemingway, Henry Rider Haggard, and Olive Schreiner. The anima-as-field can be "tapped" just as the collective unconscious can be reached throu...