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Culture of Class
Following the mass arrival of European immigrants to Argentina in the early years of the twentieth century new forms of entertainment emerged including tango, films, radio and theater. While these forms of culture promoted ethnic integration they also produced a new kind of polarization that helped Juan Peron to build the mass movement that propelled him to power.
Workers Or Citizens
In a provocative study based on extensive original research, Karush reinterprets Argentina's first experiment with electoral democracy. By the early twentieth century, massive immigration and rapid economic growth had generated severe class conflict. In 1912, the nation's elite attempted to defuse this conflict by enacting electoral reforms designed to incorporate the working-class children of immigrants into the body politic. The book reconstructs the ensuing struggles over national identity and political representation as they played out in Rosario, then the country's second largest city. Most of Rosario's politicians saw democracy not as a means to extend representation to subordinate soc...
Workers Or Citizens
In a provocative study based on extensive original research, Karush reinterprets Argentina's first experiment with electoral democracy. By the early twentieth century, massive immigration and rapid economic growth had generated severe class conflict. In 1912, the nation's elite attempted to defuse this conflict by enacting electoral reforms designed to incorporate the working-class children of immigrants into the body politic. The book reconstructs the ensuing struggles over national identity and political representation as they played out in Rosario, then the country's second largest city. Most of Rosario's politicians saw democracy not as a means to extend representation to subordinate soc...
Musicians in Transit
In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
The New Cultural History of Peronism
In nearly every account of modern Argentine history, the first Peronist regime (1946–55) emerges as the critical juncture. Appealing to growing masses of industrial workers, Juan Perón built a powerful populist movement that transformed economic and political structures, promulgated new conceptions and representations of the nation, and deeply polarized the Argentine populace. Yet until now, most scholarship on Peronism has been constrained by a narrow, top-down perspective. Inspired by the pioneering work of the historian Daniel James and new approaches to Latin American cultural history, scholars have recently begun to rewrite the history of mid-twentieth-century Argentina. The New Cult...
Historia y política
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Making Citizens in Argentina
Making Citizens in Argentina charts the evolving meanings of citizenship in Argentina from the 1880s to the 1980s. Against the backdrop of immigration, science, race, sport, populist rule, and dictatorship, the contributors analyze the power of the Argentine state and other social actors to set the boundaries of citizenship. They also address how Argentines contested the meanings of citizenship over time, and demonstrate how citizenship came to represent a great deal more than nationality or voting rights. In Argentina, it defined a person’s relationships with, and expectations of, the state. Citizenship conditioned the rights and duties of Argentines and foreign nationals living in the country. Through the language of citizenship, Argentines explained to one another who belonged and who did not. In the cultural, moral, and social requirements of citizenship, groups with power often marginalized populations whose societal status was more tenuous. Making Citizens in Argentina also demonstrates how workers, politicians, elites, indigenous peoples, and others staked their own claims to citizenship.
