Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
All You Can Feel
What have chemical substances got to do with the soul and why does caffeine look like it feels?All You Can Feel is a book of pseudo-alchemist photographic works in which Sarah Schönfeld drizzles various substances, ranging from party drugs and psychotropic drugs to neurotransmitters produced by the body itself, onto photographic negatives and then subjects the results of these chemical reactions to the normal photographic process.Astonishing images, resembling planets, crystals, landscapes and embryos, emerge from this process. The relationship between alchemy, pharmacy, photography and psychology are discussed in four essays.English and German text.
Guy Bourdin
Protégé of Man Ray, principal photographer of Vogue France, inspiration for the fashion world's favorite photographers, and immortalized in the collections of museums around the world, Guy Bourdin irrevocably changed the face of modern photography. Guy Bourdin: Image Maker is an exploration of the photographer's iconic imagery, featuring archival material yet unpublished, including original, never-before-seen Vogue layouts, hand-clipped and annotated layouts, Polaroids, and paintings.
The Brimstone Vampires Collection
[Siren Classic: Erotic Romance, Contemporary, Paranormal, Vampires, MF, HEA] Love and Brimstone- The soul always comes home… Ice queen Anastazia “Taz” Proctor is an aloof attorney, a “fixer.” Hunky Matthias Hawthorne wants her for more than just an employee…much more. Will she believe him when he reveals their shared secret—that they’re vampires, but that it’s not the way Hollywood portrays them? Maybe not, but with someone out to kill her, she might not have a choice. She also can’t ignore what her body tells her about her handsome boss. An escape with Matthias to the safe refuge of Yellowstone National Park leads Taz to discoveries about her lineage and what she can do ...
Against All Odds
This study comprises an analysis of public spheres in National Socialist Germany. It investigates where and under what circumstances resistance to Hitler's regime was possible. The author focuses on the space of the crypto-public - defined as a politicized private sphere - as a potential realm for anti-state activism. Based on the activities of four organizations operating in Germany between 1933 and 1944 - the Jewish Cultural Association Berlin, the Kreisau Circle, the White Rose, and the Schulze-Boysen/Harnack Organization - she analyzes how this social locus functioned to foster resistance to National Socialism. She examines the artifacts of these groups - leaflets, pamphlets, politico-economic treatises, and theater performances - in order to establish models of crypto-public spaces and evaluate their possibilities and limitations as sites of resistance.
The Cambridge Companion to the Literature of Berlin
This book provides an informative overview of literary developments in Berlin since 1750, with more detailed readings of exemplary key texts.
World Without Men
None
Photography and Sculpture
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Looking Forward, Looking Back
How is the life-altering event of migration narrated for children, especially if it was caused by Anti-Semitism and poverty? What of the country of origin is remembered and what is forgotten, and what of the target country when the migration is imagined there a century later? Looking Forward, Looking Back examines today’s representation of Jewish mass migration from Eastern Europe to America around the turn of the last century. It explores the collective story that emerges when American authors look back at this exodus from an Eastern European home to a new one to be established in America. Focusing on children’s literature, it investigates a wide range of texts including young adult literature as well as picture books and hence sheds light on the dynamics of the verbal and the visual in generating images of the self and other, the familiar and the strange. This book is of interest to scholars in the field of imagology, children’s literature, cultural studies, American studies, Slavic studies, and Jewish studies.
Counterfactual Thinking - Counterfactual Writing
Counterfactuality is currently a hotly debated topic. While for some disciplines such as linguistics, cognitive science, or psychology counterfactual scenarios have been an important object of study for quite a while, counterfactual thinking has in recent years emerged as a method of study for other disciplines, most notably the social sciences. This volume provides an overview of the current definitions and uses of the concept of counterfactuality in philosophy, historiography, political sciences, psychology, linguistics, physics, and literary studies. The individual contributions not only engage the controversies that the deployment of counterfactual thinking as a method still generates, they also highlight the concept’s potential to promote interdisciplinary exchange without neglecting the limitations and pitfalls of such a project. Moreover, the essays from literary studies, which make up about half of the volume, provide both a historical and a systematic perspective on the manifold ways in which counterfactual scenarios can be incorporated into and deployed in literary texts.
