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Guy Bourdin
Protégé of Man Ray, principal photographer of Vogue France, inspiration for the fashion world's favorite photographers, and immortalized in the collections of museums around the world, Guy Bourdin irrevocably changed the face of modern photography. Guy Bourdin: Image Maker is an exploration of the photographer's iconic imagery, featuring archival material yet unpublished, including original, never-before-seen Vogue layouts, hand-clipped and annotated layouts, Polaroids, and paintings.
Photography and Sculpture
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Against All Odds
This study comprises an analysis of public spheres in National Socialist Germany. It investigates where and under what circumstances resistance to Hitler's regime was possible. The author focuses on the space of the crypto-public - defined as a politicized private sphere - as a potential realm for anti-state activism. Based on the activities of four organizations operating in Germany between 1933 and 1944 - the Jewish Cultural Association Berlin, the Kreisau Circle, the White Rose, and the Schulze-Boysen/Harnack Organization - she analyzes how this social locus functioned to foster resistance to National Socialism. She examines the artifacts of these groups - leaflets, pamphlets, politico-economic treatises, and theater performances - in order to establish models of crypto-public spaces and evaluate their possibilities and limitations as sites of resistance.
All You Can Feel
What have chemical substances got to do with the soul and why does caffeine look like it feels?All You Can Feel is a book of pseudo-alchemist photographic works in which Sarah Schönfeld drizzles various substances, ranging from party drugs and psychotropic drugs to neurotransmitters produced by the body itself, onto photographic negatives and then subjects the results of these chemical reactions to the normal photographic process.Astonishing images, resembling planets, crystals, landscapes and embryos, emerge from this process. The relationship between alchemy, pharmacy, photography and psychology are discussed in four essays.English and German text.
The Cambridge Companion to the Literature of Berlin
This book provides an informative overview of literary developments in Berlin since 1750, with more detailed readings of exemplary key texts.
Counterfactual Thinking - Counterfactual Writing
Counterfactuality is currently a hotly debated topic. While for some disciplines such as linguistics, cognitive science, or psychology counterfactual scenarios have been an important object of study for quite a while, counterfactual thinking has in recent years emerged as a method of study for other disciplines, most notably the social sciences. This volume provides an overview of the current definitions and uses of the concept of counterfactuality in philosophy, historiography, political sciences, psychology, linguistics, physics, and literary studies. The individual contributions not only engage the controversies that the deployment of counterfactual thinking as a method still generates, they also highlight the concept’s potential to promote interdisciplinary exchange without neglecting the limitations and pitfalls of such a project. Moreover, the essays from literary studies, which make up about half of the volume, provide both a historical and a systematic perspective on the manifold ways in which counterfactual scenarios can be incorporated into and deployed in literary texts.
Love, Money, and Parenting
Doepke and Zilibotti investigate how economic forces shape how parents raise their children. They show that in countries with increasing economic inequality, such as the United States, parents push harder to ensure their children have a path to security and success. Economics has transformed the hands-off parenting of the 1960s and '70s into a frantic, overscheduled activity. Growing inequality has also resulted in an increasing 'parenting gap' between richer and poorer families, raising the disturbing prospect of diminished social mobility and fewer opportunities for children from disadvantaged backgrounds. The authors discuss how investments in early childhood development and the design of education systems factor into the parenting equation, and how economics can help shape policies that will contribute to the ideal of equal opportunity for all. --From publisher description.
Mondrian’s Dress
An extraordinary look at how the style of Piet Mondrian’s abstract paintings was posthumously appropriated by 1960s fashion, Pop art, and consumer culture. Yves Saint Laurent’s 1965 Mondrian dresses are among the twentieth century’s most celebrated and recognizable fashions, but the context of their creation involves much more than meets the eye. In Mondrian’s Dress, Nancy J. Troy and Ann Marguerite Tartsinis offer a fresh approach to the coupling of Piet Mondrian’s interwar paintings with Saint Laurent’s couture designs by exposing the rampant merchandising and commodification that these works experienced in the 1960s. The authors situate the consolidation of Saint Laurent’s f...
Icons of Style
In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion ima...
