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The Ends of the Body
Drawing on Arabic, English, French, Irish, Latin and Spanish sources, the essays share a focus on the body's productive capacity - whether expressed through the flesh's materiality, or through its role in performing meaning. The collection is divided into four clusters. 'Foundations' traces the use of physical remnants of the body in the form of relics or memorial monuments that replicate the form of the body as foundational in communal structures; 'Performing the Body' focuses on the ways in which the individual body functions as the medium through which the social body is maintained; 'Bodily Rhetoric' explores the poetic linkage of body and meaning; and 'Material Bodies' engages with the processes of corporeal being, ranging from the energetic flow of humoural liquids to the decay of the flesh. Together, the essays provide new perspectives on the centrality of the medieval body and underscore the vitality of this rich field of study.
The Social Life of Hagiography in the Merovingian Kingdom
This book shows how a set of great stories changed the political playing field in an early medieval society.
Families, Friends and Allies
This study offers a new model of political development for northern France through an analysis of the interrelationships between the counts of Boulogne and their neighbors in Flanders, Picardy, Normandy, and England. It also illuminates the little studied relations between less powerful counts and their neighboring territorial princes. Organized chronologically from the late ninth through mid-twelfth century, each chapter provides a political narrative and an analysis of the use of kinship and alliance (formal and informal) to govern and conduct politics. The final chapter examines the formation of reputation and identity of the comital family of Boulogne. The book is part of the larger debate on feudalism, the rise of government institutions, kinship and identity.
The History of the Counts of Guines and Lords of Ardres
The History of the Counts of Guines and Lords of Ardres, a work made famous by Georges Duby, now appears in an expert translation by Leah Shopkow. Consisting of 154 surviving chapters, Lambert's chronicle is just one of many local genealogies produced in Flanders during the high Middle Ages. It is extraordinarily rich and idiosyncratic, however, in its treatment of two competing families, longtime rivals until they were joined by marriage in the mid-twelfth century. In the first 96 chapters, Lambert, priest of the church of Ardres, traces the lineage of the counts of Guines from the seventh century to his present. Suddenly, narrative control seems to be wrested away by the garrulous Walter L...
Why Can the Dead Do Such Great Things?
A sweeping, authoritative, and entertaining history of the Christian cult of the saints from its origin to the Reformation From its earliest centuries, one of the most notable features of Christianity has been the veneration of the saints—the holy dead. This ambitious history tells the fascinating story of the cult of the saints from its origins in the second-century days of the Christian martyrs to the Protestant Reformation. Robert Bartlett examines all of the most important aspects of the saints—including miracles, relics, pilgrimages, shrines, and the saints' role in the calendar, literature, and art. The book explores the central role played by the bodies and body parts of saints, and the special treatment these relics received. From the routes, dangers, and rewards of pilgrimage, to the saints' impact on everyday life, Bartlett's account is an unmatched examination of an important and intriguing part of the religious life of the past—as well as the present.
Apocryphal Texts and Traditions in Anglo-Saxon England
Studies and editions of Anglo-Saxon apocryphal materials, filling a gap in literature available on the boundaries between apocryphal and orthodox in the period. Apocrypha and apocryphal traditions in Anglo-Saxon England have been often referred to but little studied. This collection fills a gap in the study of pre-Conquest England by considering what were the boundaries between apocryphaland orthodox in the period and what uses the Anglo-Saxons made of apocryphal materials. The contributors include some of the most well-known and respected scholars in the field. The introduction - written by Frederick M. Biggs, one of the principal editors of Sources of Anglo-Saxon Literary Culture - expertl...
La Genoinda
Giulio Rospigliosi (1600-1669), eletto papa nel 1667 con il nome di Clemente IX, fu per un trentennio il protagonista del teatro musicale romano. La "Genoinda" fu rappresentata per la prima volta nel 1641 a Roma nel Palazzo della Cancelleria. Genoinda è il nome che Rospigliosi dà a Genoveffa di Brabante, moglie del conte palatino Sigfrido di Treviri: un personaggio di cui non esiste nessun riscontro storico; tuttavia fu venerata come santa nella regione del Palatinato, anche se non è mai stata consacrata dalla chiesa cattolica. Su di lei furono scritte varie leggende agiografiche. Rospigliosi ne fa non una santa, ma una moglie esemplare, vittima prima di una congiura di palazzo e poi protagonista di una avventurosa vicenda che la reintegra nell'amore del marito e sul trono che le compete.
Space Between Words
Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.
