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This study offers a new model of political development for northern France through an analysis of the interrelationships between the counts of Boulogne and their neighbors in Flanders, Picardy, Normandy, and England. It also illuminates the little studied relations between less powerful counts and their neighboring territorial princes. Organized chronologically from the late ninth through mid-twelfth century, each chapter provides a political narrative and an analysis of the use of kinship and alliance (formal and informal) to govern and conduct politics. The final chapter examines the formation of reputation and identity of the comital family of Boulogne. The book is part of the larger debate on feudalism, the rise of government institutions, kinship and identity.
A Sweet, Clean Friends to True Love Sports Romance Growing up on her dad’s ranch, Wesley Reed always regarded Chloe as a kid sister. Until he didn’t. One fateful night, his feelings for Chloe changed on a dime. Determined not to reveal his true feelings to her for fear of ruining her promising future, Wesley left Fortune Creek—for good. Chloe Holt has had a crush on her dad’s ranch hand, Wesley, since she was eight years old. In her eyes, there has never been any boy that has even come close to Wesley. She always hoped that one day she’d catch his eye—that one day he’d see her not as a girl, but as a woman. That day never came. Instead, he disappeared—gone without so much as a goodbye. Now, all these years later, fate has caused Chloe and Wesley to cross paths. Will they finally get a chance to find happiness with one another? AUTHOR’S NOTE: This book takes place 5 years after the events of the second book, Our Broken Roads. Mine At Last is a short, 30,000-word romance. It is a sweet, contemporary romance with inspirational themes of family, faith, and love. As always, it is clean and wholesome with a guaranteed happily ever after ending.
When Heather Samis moves in next door, she and Tanner Wolfe quickly become best friends. They help each other through high school and college, date other people, and write letters during their time apart. Heather passionately dreams of becoming an artist, while Tanner has his life mapped out as an executive at his father’s software company. Their friendship is too important to let romance get in the way. Then the impossible happens, and the invisible line between friendship and love is blurred. But Heather has seen her mother give up a promising artistic talent to raise ten children and to serve others at church, and she is determined not to sacrifice her own talent. Her beliefs shaken, Heather is faced with a decision that will change her life forever. She desperately wants to allow herself to love her best friend and become a mother to their children, yet how can she forget her lifelong dream of succeeding in the art world? And if she does choose love, can she be truly happy without the art that is as much a part of her as breathing? There seems to be no way to succeed in both. Or is there?
A critical study of the intersection of folk and avant-garde poetics in transatlantic small press poetry networks from the 1950s up to the present.
"Alexis Morgan has spent the past eight years devoted to turning her tiny start-up into Manhattan's premiere wedding planning company, The Wedding Belles. Now that her business is thriving, it's time to turn towards her much neglected personal life, and Alexis approaches her relationships like she does everything else: with a plan. Not a part of that plan is Logan Harris, the silent partner in the Belles, and the one person who's been there for her since the very beginning. But Alexis needs someone fun, and Logan's all business, all the time--except when a late night at the office ends with an unexpected kiss that leaves the usually cool and together Alexis reeling."--Amazon.com.
The English West Country is a land of exceptional landscapes: many miles of wild, unspoilt coastline and vast expanses of wild moorland; great cities such as Exeter, Plymouth, Bath and Bristol; and market towns, villages and hamlets. Farming, mining, quarrying, fishing and trade are the traditional industries of the counties of Wiltshire, Somerset, Dorset, Devon and Cornwall. On one level, the West Country is the most English of all English regions, home of clotted cream, thatch, church spires, folksong, hobby horses and Cecil Sharp. Yet the area was trading with Mediterranean Europe before the Romans. For many years Bristol was the centre of the slave trade, and many of its great mansions w...
In this second book of the high-octane Chaser series, it's business as usual for bail enforcement agent Chad Remington. That is until the sister of Remington's best friend goes missing. To complicate matters, Remington's father has hired him to retrieve a client who's been charged with murder and jumped bail. Only one problem: the accused is Heather Bettencourt's uncle. Little does Remington know all of these are pieces to a horrifying puzzle, and he'll have to put everything on the line to solve the case while keeping his own inner demons in check!
Ann Williams' important new book discusses the dynamics of English aristocratic society in a way that has not been explored before. She investigates the rewards and obligations of status including birth, wealth, the importance of public and royal service and the need to participate in local affairs, especially legal and administrative business. This period saw the birth of a 'lesser aristocracy', the ancestors of the English gentry, the power-house of society and politics in the late medieval and early modern periods. Going on to examine the obligations and rewards of lordship and the relations between lords and their men, Williams illustrates how status was displayed and covers the importan...
New insights into interpretive problems in the history of England and Europe between the eighth and thirteenth centuries.
Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.