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The Complete Prints of Maxime Lalanne
With its appearance in 2003, Jeffrey Villet's catalogue raisonné has become the standard reference on Lalanne's etchings. Since 2010 Lalanne's 47 lithographs have been catalogued along with those etchings, together with extensive commentaries and notes on the states, and essays on his Lalanne's life and work. This catalogue is in its 4th edition, superseding earlier editions with dozens of new states and much additional information on editions and variations over time.
A Treatise on Etching. Text and Plates by Maxime Lalanne. Authorized Ed. Translated from the 2D French Ed. by S.R. Koehler. with an Introductory Chapter and Notes by the Translator
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catalogue of an Exhibition of Etchings by Maxime Lalanne, Adolph Appian, C.-F. Daubigny: February 27 to March 18, 1913 (Classic Reprint)
Excerpt from Catalogue of an Exhibition of Etchings by Maxime Lalanne, Adolph Appian, C.-F. Daubigny: February 27 to March 18, 1913 Lalanne holds a distinct place of his own among French painter-etchers of the nineteenth century. Others employed the point more penetratingly in their search for the truth of nature and of their own souls. Still others reared with it edifices more massive and moods more imaginative, but no one else has used it so cursively, with such literary grace and facility, or developed a style so aecom plished and idiomatic. Nor is this all. If Me ryon had more of the classic severity of form, La lanne had more of the classic serenity of spirit. In many of his landscapes ...
Maxime Lalanne
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A Treatise on Etching
Reprint of the original, first published in 1880.
Chez Victor Hugo
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