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Reading Dante
divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV
Dantologies
This book comprises a searching philosophical meditation on the evolution of the humanities in recent decades, taking Dante studies as an exemplary specimen. The contemporary currents of theory have decisively impacted this field, but Dante also has a strong relationship with theology. The idea that theology, teleology, and logocentric rationalities are simply overcome and swept away by new theoretical approaches proves much more complex as the theory revolution is exposed in its crypto-theological motives and origins. The revolutionary agendas and methodologies of theoretical currents have ushered in all manner of minorities and postcolonial and gender studies. But the exciting adventure they inaugurate shows up in quite a surprising light when brought to focus through the scholarly discipline of Dante studies as a terrain of dispute between traditional philology and postmodern theory. On this terrain, negative theology can play a peculiarly destabilizing, but also a conciliatory, role: it is equally critical of all languages for a theological transcendence to which it nevertheless remains infinitely open.
Italians in Haverhill
Italian immigrants became permanent residents of Haverhill in the 1870s. The original Genoese first drew their relatives and friends from their home area to join them. Over the next few decades, they were joined by families from the central province of Abruzzi and from the towns and villages around Naples. Immigrants from parts of southern Italy, such as Calabria and Apulia and Sicily, settled here. All of the Italians, whether northern or southern, brought with them their culture, their vitality, their love of music, and their close family ties. Using over two hundred thirty vintage photographs, Italians in Haverhill takes a photographic walk through the exciting history of these immigrants. The images bring back to life representatives of more than two hundred families, whose descendants still live in the area. Here are the fruit sellers and shoe workers, the mothers and their children, the ball players and the musicians, the lawyers and doctors, and the bankers and civic leaders who make up the rich heritage of this important ethnic group.
Dudley Madonna
"The 'Madonna and child' known as 'The Dudley Madonna' was painted around 1508 by Giovanni Belline (c. 1430-1516), one of the most celebrated of Italian artists. This book charts the painting's recent provenance and reception and revisits the context in which it was created. It retraces its critical history from Dudley's nineteenth-century London until today, and reassesses and autograph work by Bellini that during the twentieth century was almost completely overlooked. The years 1505-10 were crucial to Giovanni Bellini's career, and this book examines anew the part he played in the Venetian High Renaissance, noting his response to the upcoming generation (above all Titian) and new ideas coming from central Italy - from Raphael and in particular from the visiting Florentine Fra Bartolomeo." -- book flyleaf.
Laura
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estri...
Dante's Vision and the Circle of Knowledge
In a masterly synthesis of historical and literary analysis, Giuseppe Mazzotta shows how medieval knowledge systems--the cycle of the liberal arts, ethics, politics, and theology--interacted with poetry and elevated the Divine Comedy to a central position in shaping all other forms of discursive knowledge. To trace the circle of Dante's intellectual concerns, Mazzotta examines the structure and aims of medieval encyclopedias, especially in the twelfth and thirteenth centuries; the medieval classification of knowledge; the battle of the arts; the role of the imagination; the tension between knowledge and vision; and Dante's theological speculations in his constitution of what Mazzotta calls a...
Reception and the Classics
This collection brings together leading experts in a number of fields of the humanities to offer a new perspective on the classical tradition. Drawing on reception studies, philology and early modern studies, the essays explore the interaction between literary criticism and the multiple cultural contexts in which texts were produced, discovered, appropriated and translated. The intersection of Realpolitik and textual criticism, poetic and musical aesthetics, and authority and self-fashioning all come under scrutiny. The canonical Latin writers and their subsequent reception form the backbone of the volume, with a focus on the European Renaissance. It thus marks a reconnection between classical and early modern studies and the concomitant rapprochement of philological and cultural historical approaches to texts and other works of art. This book will be of interest to scholars in classics, Renaissance studies, comparative literature, English, Italian and art history.
The Decameron First Day in Perspective
This inaugural book in a new series of critical essays on the Decameron will provide an important guide to reading the complex series of narratives that constitute the opening of the Decameron and will serve as a guide to reading the entire work.
Dante and the Franciscans
The essays in this volume address the interrelationship between Dante and the Franciscan intellectual tradition and demonstrate how all disciplines can come together to shed light on how the Franciscan intellectual component informs so much of Dante’s writing and how in turn Franciscan writing is informed by Dante's work.
Cosmopoiesis the Renaissance E
Mazzotta calls for a new approach: the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences."--BOOK JACKET.
