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Media, Social Movements, and Protest Cultures in Africa
Edited by Lungile Tshuma, Trust Matsilele, Shepherd Mpofu and Mbongeni Msimanga, Media, Social Movements, and Protest Cultures in Africa: Hashtags, Humor, and Slogans provides a rich array of protest cultures in Sub-Saharan Africa, delving into the motivations for protests, how protests are carried out and how those targeted by protests try to undermine the protesting movements. Organized into three parts, this book examines social media and social movements, online protest strategies, and media texts used in various protest movements within Sub-Saharan Africa. The contributors shed light on the brutality of various post-colonial regimes in Africa while also giving the reader hope for the cu...
New Journalism Ecologies in East and Southern Africa
This volume presents case studies of news media employing and integrating social media into their news production practices. It links social media use to journalistic practices and news production processes in the digital age of the Global South. Critically, the chapters look at seminal cases of start-up news media whose content is informed by trends in social media, ethical considerations and participatory cultures spurred by the wide use of social media. There has been considerable research looking at the potential of new media technologies, traditional journalism and citizen reporting. The extent to which these new media technologies and ‘citizen journalism’ have morphed or reconfigur...
Photographing the Liberation Struggle in Zimbabwe
After assuming power in 1980, the Zimbabwe African National Union (ZANU) has sought to control the narrative of the struggle for liberation from colonialism, to the exclusion of other players such as the Zimbabwe African People’s Union (ZAPU). This book investigates the ways in which photographs are being used within Zimbabwe, especially on social media, to challenge the prevailing narrative and reclaim the memories of the subjugated. The book analyses the photographs produced by Zenzo Nkobi during the struggle against colonialism. Drawing on the memories of veterans from ZAPU and its military wing the Zimbabwe People’s Revolutionary Army (ZPRA), the book shows that photographs can both act as a conduit for existing narratives, and as a tool for shaping memory narratives, and evidencing ZPRA military prowess ahead of other movements. At a time when Zimbabwe is reassessing the legacy of liberation, this book offers a powerful multidisciplinary assessment for researchers across the fields of history, memory, political science, African studies, and media studies.
Political Humour and Zimbabwean Identity on Social Media Platforms
Political Humour and Zimbabwean Identity on Social Media Platforms by Mbongeni Jonny Msimanga studies Zimbabwean digital political communication and investigates how political satire constructs, critiques, contests, mediates, and negotiates national identity. Focusing on Bustop and Magamba TV, two YouTube channels that specialise in satiric political skits, this book demonstrates what it means to be a Zimbabwean, and who or what authorises such belonging. Msimanga traces contestations of Zimbabwe’s national identity since independence in 1980, refracted by the Gukurahundi genocide, questioning national sovereignty and national security, the fast-track land reform programme, and human rights abuses perpetrated by the incumbent ZANU-PF government. This book provides a conceptual framework that deploys a context-sensitive understanding of satire relevant to the global south and to Zimbabwe. Msimanga concludes that Magamba and Bustop TV are successful in utilising opportunities inherent in the inflection point and crossroads facing Zimbabwe to open and amplify new spaces for contesting, negotiating, and critiquing what it means to belong to the national project.
Digital Humour in the Covid-19 Pandemic
Digital humour in the COVID-19 pandemic: Perspectives from the Global South offers a groundbreaking intervention on how digital media were used from below by ordinary citizens to negotiate the global pandemic humorously. This book considers the role played by digital media during the pandemic, and indeed in the socio-political life of the Global South, as indispensable and revolutionary to human communication. In many societies, humour not only signifies laughter and frivolity, but acts as an important echo that accompanies, critiques, questions, disrupts, agitates and comments on societal affairs and the human condition. This book analyses citizens’ use of social media and humour to mediate the pandemic in a diverse range of countries, including Brazil, India, Kenya, Nigeria, South Africa and Zimbabwe. The book will appeal to academics and students of media and communication studies, political studies, rhetoric, and to policy makers.
Indigenous African Popular Music, Volume 2
This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad c...
Patterns of Harassment in African Journalism
This volume examines the trends and patterns of journalists’ harassment in Africa and assesses the policy interventions and protection mechanisms that are put into place in the region. Drawing from case studies from selected African countries, an international team of authors offer a broad insight into the state of harassment across the continent, while building new theoretical perspectives that are also context-specific. The chapters bring previous theories and research up to date by addressing the continual change and development of new discourses, including the use of big data and artificial intelligence in harassing and intimidating journalists and mental health issues affecting journalists in their line of duty. More so, the authors argue that the state and form of harassment is not universal, as location and context are some of the key factors that influence the form and character of harassment. Offering new theoretical insights into the scope of journalism practices in Africa, this book will interest students and scholars of journalism, African studies, political science, media and communication studies, journalism practice and gender studies.
The Politics of Laughter in the Social Media Age
The Politics of Laughter in the Social Media Age: Perspectives from the Global South brings to critical and intellectual attention the role of humour in the digital era in the Global South. Many citizens of the Global South live disempowered and precarious lives. Digital media and humour, as chapters in the volume demonstrate, have empowered these citizens through engagement with power and their peers, enabling a pursuit of a better future. Contributors to the volume, while alive to challenges associated with the digital divide, highlight the potentials of social media and humour to engage and seek redress on issues such as corruption, human rights violations, racism and sexism. Contributors expertly analyse memes, videos, cartoons and other social media texts to demonstrate how citizens mimic, disrupt, ridicule and challenge status quo. This book caters for academics and students in media and communication studies, political studies, sociology and Global South studies.
Health Crises and Media Discourses in Sub-Saharan Africa
This is an open access book which brings together leading scholars and critical discourses on political, economic, legal, technological, socio-cultural and systemic changes and continuities intersecting media and health crises in Sub-Saharan Africa. The volume extensively discusses COVID-19 but it also covers other epidemics, such as malaria, HIV/AIDS as well as “silent” health crises such as mental health---simmering across the subcontinent. The chapters fill knowledge gaps, highlight innovations, unpack the complexities surrounding the media ecosystem in times of health crises. They explore, among other issues, the politics of public health communication; infodemics; existential threats to media viability; draconian legislations; threats to journalists/journalism; COVID-related entrepreneurship, marginalization, and more. This is a timely resource for academics, advocacy groups, media practitioners and policy makers working on crises and media reporting, not just in Africa but anywhere in the global South.
The Idea of Matabeleland in Digital Spaces
The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses, and Epistemic Struggles establishes a debate and dialogue between critical and post-/de-colonial approaches in the study of subalternity in online media representations. Editors Khanyile Mlotshwa and Mphathisi Ndlovu curate chapters that deal specifically with the intersectional subalternity of Matabeleland, a political and geographical region in the Southwest part of Zimbabwe comprising of three provinces: Matabeleland South, Matabeleland North, and Bulawayo metropolitan province. The subalternity of this region emerges in politics and popular culture, including media, as intersectional in terms of ethnicity, region, gender, class, and beyond. This book argues that in online spaces the liberatory politics of Matabeleland emerges as trapped in coloniality.
