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If the Body Allows It
Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story Collection Winner of the Prairie Schooner Book Prize in Fiction, If the Body Allows It is divided into six parts and framed by the story of Marie, a woman in her thirties living in Newark, New Jersey. Suffering from a chronic autoimmune illness, she also struggles with guilt over the overdose and death of her father, whom she feels she betrayed at the end of his life. The stories within the frame--about failed marriages, places of isolation and protection, teenage mistakes, and forging a life in the aftermath--are the stories the narrator writes after she meets and falls in love with a man whose grief mirrors her own. If the Body Allows It explores illness and its aftermath, guilt and addiction, and the relationships the characters form after they've lost everyone else, including themselves. Introspective, devastating, and funny, If the Body Allows It grapples with the idea that life is always on the brink of never being the same again.
What Isn't Remembered
Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story Collection Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, the stories in What Isn't Remembered explore the burden, the power, and the nature of love between people who often feel misplaced and estranged from their deepest selves and the world, where they cannot find a home. The characters yearn not only to redefine themselves and rebuild their relationships but also to recover lost loves--a parent, a child, a friend, a spouse, a partner. A young man longs for his mother's love while grieving the loss of his older brother. A mother's affair sabotages her relationship with her daughter, causing a lifelong ...
If the Body Allows It
Winner of the Prairie Schooner Book Prize in Fiction, If the Body Allows It is divided into six parts and framed by the story of Marie, a woman in her thirties living in Newark, New Jersey. Suffering from a chronic autoimmune illness, she also struggles with guilt over the overdose and death of her father, whom she feels she betrayed at the end of his life. The stories within the frame—about failed marriages, places of isolation and protection, teenage mistakes, and forging a life in the aftermath—are the stories the narrator writes after she meets and falls in love with a man whose grief mirrors her own. If the Body Allows It explores illness and its aftermath, guilt and addiction, and the relationships the characters form after they’ve lost everyone else, including themselves. Introspective, devastating, and funny, If the Body Allows It grapples with the idea that life is always on the brink of never being the same again.
Something Unbelievable
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel. “A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had a baby, and sh...
Oksana, Behave!
“[The] Ukrainian American heroine of this sweet-bitter debut is a wisecracking fatalist who can be counted on to say the inappropriate thing, a tendency that becomes more pronounced as doomed crushes and family crises pile up on the road to adulthood.”—O: The Oprah Magazine When Oksana and her family move from the Ukraine to Florida to begin a new American life, her physicist father delivers pizza at night to make ends meet, her cranky mother sits at home all day worrying, and her flamboyant grandmother relishes the attention she gets from men. All Oksana wants is to be as far away from her family as possible, to have friends, and to be normal—and though she constantly tries to do th...
American Dirt (Oprah's Book Club)
"También de este lado hay sueños. On this side, too, there are dreams. Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they'll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy--two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe ...
Eros, Magic, & the Murder of Professor Culianu
Anton (writing, DePaul U.) synthesizes the research he has done since the beginning on the still-unsolved May 1991 murder of Chicago Divinity School professor Ioan Culianu, a protege of pioneering mythologist Mircea Eliade. Culianu had been taunting the communist government of his native Romania, and Anton suggests the murder was political. Annotation copyrighted by Book News, Inc., Portland, OR
Where Reasons End
'Profoundly moving. An astonishing book, a true work of art' Max Porter, author of Grief is the Thing with Feathers From the critically acclaimed author of The Vagrants, a devastating and utterly original novel on grief and motherhood 'Days: the easiest possession. The days he had refused would come, one at a time. They would wait, every daybreak, with their boundless patience and indifference, seeing if they could turn me into an ally or an enemy to myself.' A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life itself, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone. Where Reasons End is an extraordinary portrait of parenthood, in all its painful contradictions of joy, humour and sorrow, and of what it is to lose a child.
Maggie and Milly and Molly and May
What do four little girls discover when they spend an afternoon by the sea? Maggie, a shell; Milly, a star; Molly, a "horrible thing"; and May, a smooth round stone. This seemingly simple story by American poet Edward Estlin Cummings (1894-1962), showcasing his signature quirky style, is delightful as well as profound. Readers will enjoy the day at the beach for its innate pleasures, but on contemplation may realize that objects encountered by the girls reflect parts of themselves.Marcia Perry's bright, engaging illustrations enhance the poem with her playful and introspective portraits of the characters; her beach setting sings with the ocean tide and the seagulls' squawks.
Native Traditions in the Postconquest World
"Important anthology marking, but not celebrating, the Columbian Quincentenary, directing attention to indigenous cultural responses to the Spanish intrusion in Mexico and Peru, utilizing as much as possible native documents and sources, and exploring mentalities. While we can benefit from the analysis and methodology in all contributions to this volume, items certain to interest Mesoamericanists include: Hill Boone, 'Introduction,' for the volume's orientation; Laiou, 'The Many Faces of Medieval Colonization,' for background, analysis of colonization as process, and its multiple forms; Lockhart, 'Three Experiences of Culture Contact: Nahua, Maya, and Quechua,' for special attention to language change as a reflection of broader cultural evolution in key areas; Hill Boone, 'Pictorial Documents and Visual Thinking in Postconquest Mexico,' for an examination of the endurance of these forms in 16th-century Nahua culture; Wood, 'The Social vs.
