You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume sets out to provide a semantics for the "future-directed opining verbs", a novel class whose members are used to describe subjects' externally attested opinions toward future possibilities. Including verbs like recommend, promise, and permit, the class can be situated within a broader range of opinion verbs, including the well-known propositional attitudes, and key to the investigation here are differences among these groups along the lines of available event types, interaction with the common ground, and restrictions on subjects and objects. Other important semantic topics implicated in the discussion are dispositions, free choice disjunction, and Neg-raising/embedded NPI licensing, and the host of new data associated with the future-directed opining verbs prompts surveys of the expanded scope of these phenomena, and corresponding re-evaluation of existing theories. Collectively, the contributions of this work deepen our understanding of predicates that describe opinion and disposition, and how these interact with fundamental logical operations like negation and disjunction, highlighting the crucial role of contextual factors like relevance for these processes.
This volume focuses on recursion and reveals a host of new theoretical arguments, philosophical perspectives, formal representations and empirical evidence from parsing, acquisition and computer models, highlighting its central role in modern science. Noam Chomsky, whose work introduced recursion to linguistics and cognitive science and other leading researchers in the fields of philosophy, semantics, computer science and psycholinguistics in showing the profound reach of this concept into modern science. Recursion has been at the heart of generative grammar from the outset. Recent work in minimalism has put it at center-stage with a wide range of consequences across the intellectual landscape. The contributor to this volume both advance the field and provide a cross-sectional view of the place that recursion takes in modern science.
An Introduction to Syntactic Analysis and Theory offers beginning students a comprehensive overview of and introduction to our current understanding of the rules and principles that govern the syntax of natural languages. Includes numerous pedagogical features such as 'practice' boxes and sidebars, designed to facilitate understanding of both the 'hows' and the 'whys' of sentence structure Guides readers through syntactic and morphological structures in a progressive manner Takes the mystery out of one of the most crucial aspects of the workings of language – the principles and processes behind the structure of sentences Ideal for students with minimal knowledge of current syntactic research, it progresses in theoretical difficulty from basic ideas and theories to more complex and advanced, up to date concepts in syntactic theory
American ideals and models feature prominently in the master narrative of post-war European consumer societies. This book demonstrates that Europeans did not appropriate a homogenous notion of America, rather post-war European consumption was a process of selective appropriation of American elements.
Neurosurgery is a rapidly developing and technically demanding branch of surgery that requires a detailed knowledge of the basic neuro-sciences and a thorough clinical approach. The Oxford Textbook of Neurological Surgery is an up-to-date, objective and readable text that covers the full scope of neurosurgical practice. It is part of the Oxford Textbooks in Surgery series, edited by Professor Sir Peter Morris. The book is split into 20 overarching sections (Principles of Neurosurgery, Neuro-oncology of Intrinsic Tumours; Extra-axial Tumours and Skull Lesions; Cerebro-Pontine Angle Tumours; Sellar and Supra-Sellar Tumours; Posterior Fossa Tumours; Pineal tumours; Uncommon Tumours and Tumour S...
"Introductory text for courses on juvenile justice/juvenile delinquency"--
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and things do not go well for the island. Civilization rises as towers of stone and metal and smoke, choking the undergrowth and the creatures who once moved through it. This is not a happy story and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood carves out a mesmerising, stark parable on environmentalism and the history of humankind.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
It was while she was ill and in bed for several weeks that Marianne found the pencil. It looked quite ordinary, but it wasn't. The things she drew with it - a house, a landscape, the face watching at the window - came alive in her dreams. Sometimes what she drew was good and friendly; sometimes bad and frightening. Once, without quite meaning to, she put herself and the boy in her dreams into a very real danger, from which the only possible escape needed more courage than Marianne thought she could possibly find ... The story has been adapted for the major feature film Paperhouse starring Charlotte Burke as Anna (Marianne), Elliot Spears and Ben Cross.