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A SUNDAY TIMES NATURE BOOK OF THE YEARA nature diary by award-winning novelist, nature writer and hit podcaster Melissa Harrison, following her journey from urban south London to the rural Suffolk countryside.'A writer of great gifts.' Robert Macfarlane'The journal of a writer to compare to Thomas Hardy. Melissa Harrison is among our most celebrated nature writers.' John Carey, The TimesA Londoner for over twenty years, moving from flat to Tube to air-conditioned office, Melissa Harrison knew what it was to be insulated from the seasons. Adopting a dog and going on daily walks helped reconnect her with the cycle of the year and the quiet richness of nature all around her: swifts nesting in a...
An intimate and captivating portrait of four people struggling with the concrete confines of city life by first-time novelist Melissa Harrison
SHORTLISTED FOR THE COSTA NOVEL AWARD 2015 LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 Four-thirty on a May morning: the black fading to blue, dawn gathering somewhere below the treeline in the east. A long, straight road runs between sleeping fields to the little village of Lodeshill, and on it two cars lie wrecked and ravished, violence gathered about them in the silent air. One wheel, upturned, still spins. Howard and Kitty have recently moved to Lodeshill after a life spent in London; now, their marriage is wordlessly falling apart. Custom car enthusiast Jamie has lived in the village for all of his nineteen years and dreams of leaving it behind, while Jack, a vagrant farm-worker and mystic in flight from a bail hostel, arrives in the village on foot one spring morning, bringing change. All four of them are struggling to find a life in the modern countryside; all are trying to find ways to belong. Building to an extraordinary climax over the course of one spring month, At Hawthorn Time is both a clear-eyed picture of rural Britain, and a heartbreaking exploration of love, land and loss.
'A masterpiece' JON MCGREGOR'Impossible to forget' THE TIMES'Astonishing' GUARDIAN'Startling' FINANCIAL TIMESWINNER OF THE EU PRIZE FOR LITERATURE'BOOK OF THE YEAR' NEW STATESMAN, OBSERVER, IRISH TIMES, BBC HISTORY MAGAZINE The fields were eternal, our life the only way of things, and I would do whatever was required of me to protect it.The autumn of 1933 is the most beautiful Edie Mather can remember, though the Great War still casts a shadow over the cornfields of her beloved home, Wych Farm.When charismatic, outspoken Constance FitzAllen arrives from London to write about fading rural traditions, she takes an interest in fourteen-year-old Edie, showing her a kindness she has never known before. But the older woman isn't quite what she seems.As harvest time approaches and pressures mount on the whole community, Edie must find a way to trust her instincts and save herself from disaster.
Three tiny, ancient beings - Moss, Burnet and Cumulus, once revered as Guardians of the Wild World - wake from winter hibernation. But when their home is destroyed, they set off on an adventure. Can they find a way to survive in a precious, disappearing world?
As autumn begins, Moss and friends travel to their former home in Ash Row, to find the rare mortal child who can both see and talk to them. The tiny beings know they should be brave and talk back–this is their chance to help reverse the fading of ancient Cumulus, who has now almost disappeared entirely. But they soon realize fading is connected to their role in the world … Can the Hidden Folk prove that guardians of the Wild World are needed after all?
A beautiful collection that captures the unfolding of springtime
Somerset Maugham is the acknowledged master of the short story, and his full range is represented in this collection. In acclaimed stories such as 'Rain', 'The Letter', 'The Vessel of Wrath' and 'The Alien Corn', Maugham illustrates his wry perception of human weakness and his genius for evoking compelling drama and an acute sense of time and place.
A beautiful lost classic of nature writing which sits alongside Tarka the Otter, Watership Down, War Horse and The Story of a Red Deer This is the story of Wulfgar, the dark-furred fox of Dartmoor, and of his nemesis, Scoble the trapper, in the seasons leading up to the pitiless winter of 1947. As breathtaking in its descriptions of the natural world as it is perceptive its portrayal of damaged humanity, it is both a portrait of place and a gripping story of survival. Uniquely straddling the worlds of animals and men, Brian Carter's A Black Fox Running is a masterpiece: lyrical, unforgiving and unforgettable.
Almost every day, as natural and inevitable as breathing, weather fronts form, clouds gather and rain falls, changing how the English countryside looks, smells and sounds and the way the living things in it behave. It alters the landscape itself, too, dissolving ancient rocks, deepening river channels and moving soil from place to place. Rain is co-author of our living countryside; it is also a part of our deep internal landscape. Complain as we may, it is as essential to our sense of identity as it is to our soil. With a national obsession, a frequent inconvenience and an agricultural necessity, rain is what makes this land so green and pleasant; it's also what swells rivers, floods farmlan...