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The Appearance of Character
Physiognomy - the notion that there is a relationship between character and physical appearance - is often dismissed as a marginal pseudoscience; however, The Appearance of Character argues that it is central to many disciplines and thought processes, and that it constantly adapts itself to current patterns of thought and modes of discourse. This interdisciplinary study determines the characteristics of physiognomical thought in France during the previously neglected period leading up to the reception of Johann Caspar Lavater's physiognomy in the early 1780s. It establishes a corpus of physiognomical texts, juxtaposing `mainstream' figures such as Buffon and Diderot with a host of minor writ...
Introduction ;The Old Regime of Teeth ;The Smile of Sensibility ;Cometh the Dentist ;The Making of a Revolution ;The Transient Smile Revolution ;Beyond the Smile Revolution ;Postscript: Towards the Twentieth-Century Smile Revolution ;Notes ;Index
You could be forgiven for thinking that the smile has no history; it has always been the same. However, just as different cultures in our own day have different rules about smiling, so did different societies in the past. In fact, amazing as it might seem, it was only in late eighteenth century France that western civilization discovered the art of the smile. In the 'Old Regime of Teeth' which prevailed in western Europe until then, smiling was quite literally frowned upon. Individuals were fatalistic about tooth loss, and their open mouths would often have been visually repulsive. Rules of conduct dating back to Antiquity disapproved of the opening of the mouth to express feelings in most s...
Mendelssohn Perspectives
If the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.
The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds
The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds, unpacks many of the issues that surround heroes and villains. It explores the shadows that fall between the traditional black and white definitions of good and evil.
Early Modern Emotions
Early Modern Emotions is a student-friendly introduction to the concepts, approaches and sources used to study emotions in early modern Europe, and to the perspectives that analysis of the history of emotions can offer early modern studies more broadly. The volume is divided into four sections that guide students through the key processes and practices employed in current research on the history of emotions. The first explains how key terms and concepts in the study of emotions relate to early modern Europe, while the second focuses on the unique ways in which emotions were conceptualized at the time. The third section introduces a range of sources and methodologies that are used to analyse ...
Women and Musical Salons in the Enlightenment:
A study of musical salons in Europe and North America between 1760 and 1800 and the salon hostesses who shaped their musical worlds. In eighteenth-century Europe and America, musical salons—and the women who hosted and made music in them—played a crucial role in shaping their cultural environments. Musical salons served as a testing ground for new styles, genres, and aesthetic ideals, and they acted as a mediating force, bringing together professional musicians and their audiences of patrons, listeners, and performers. For the salonnière, the musical salon offered a space between the public and private spheres that allowed her to exercise cultural agency. In this book, musicologist and ...
Early Modern French Thought
This book is an examination of three major French thinkers of the seventeenth century, Descartes, Pascal, and Malebranche, of whom the latter two are comparatively little studied in the English-speaking world. It deals with a common attitude of suspicion towards everyday experience, which theysee as dominated and obscured by sensation, imagination, and the presence of the body. This attitude, however, obliges them to develop detailed and sophisticated accounts of the shaping of experience not only by the body but by interpersonal and social relationships, and of the tension between humannature as it is and as we experience it. The treatment of Descartes thus challenges the interpretation that sees him as eliminating the body from 'subjectivity', while that of Pascal and Malebranche shows how their critical attitude towards experience (a fertile source for twentieth-century Frenchthinkers) is linked with their religious doctrines, especially their Augustinian emphasis on Original Sin.
Prosthetic Body Parts in Nineteenth-Century Literature and Culture
This open access book investigates imaginaries of artificial limbs, eyes, hair, and teeth in British and American literary and cultural sources from the nineteenth and early twentieth century. Prosthetic Body Parts in Nineteenth-Century Literature and Culture shows how depictions of prostheses complicated the contemporary bodily status quo, which increasingly demanded an appearance of physical wholeness. Revealing how representations of the prostheticized body were inflected significantly by factors such as social class, gender, and age, Prosthetic Body Parts in Nineteenth-Century Literature and Culture argues that nineteenth-century prosthesis narratives, though presented in a predominantly...
Return of the Gods
"Why is mythology of vital importance for the romantics? What role does mythology play in their philosophical and literary work? And what common sources of influence inspired these writers across Britain and Germany at the turn of the nineteenth century? In this wide-ranging study, Owen Ware argues that the romantics turn to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such as Schiller, Blake, Schlegel, Coleridge, Novalis, and Shelley, Ware shows why they believe that neither perception nor reason alone can sustain a vision of the unity of all things. A new mode of cognition is necessary, they claim, one that revives the poetic o...
Sainthood and Race
In popular imagination, saints exhibit the best characteristics of humanity, universally recognizable but condensed and embodied in an individual. Recent scholarship has asked an array of questions concerning the historical and social contexts of sainthood, and opened new approaches to its study. What happens when the category of sainthood is interrogated and inflected by the problematic category of race? Sainthood and Race: Marked Flesh, Holy Flesh explores this complicated relationship by examining two distinct characteristics of the saint’s body: the historicized, marked flesh and the universal, holy flesh. The essays in this volume comment on this tension between particularity and univ...
