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William Sweetland was a Bath organ builder who flourished from c.1847 to 1902 during which time he built about 300 organs, mostly for churches and chapels in Somerset, Gloucestershire and Wiltshire, but also for locations scattered south of a line from the Wirral to the Wash. Gordon Curtis places this work of a provincial organ builder in the wider context of English musical life in the latter half of the nineteenth century. An introductory chapter reviews the provincial musical scene and sets the organ in the context of religious worship, public concerts and domestic music-making. The book relates the biographical details of Sweetland's family and business history using material obtained fr...
Subscription Theater asks why turn-of-the-century British and Irish citizens spent so much time, money, and effort adding their names to subscription lists. Shining a spotlight on private play-producing clubs, public repertory theaters, amateur drama groups, and theatrical magazines, Matthew Franks locates subscription theaters in a vast constellation of civic subscription initiatives, ranging from voluntary schools and workers' hospitals to soldiers' memorials and Diamond Jubilee funds. Across these enterprises, Franks argues, subscribers created their own spaces for performing social roles from which they had long been excluded. Whether by undermining the authority of the Lord Chamberlain'...
During the Enlightenment, in a society that was increasingly urbanised and mobile, footwear was an essential item of apparel. This book considers not only the practical but also the symbolic meaning of footwear in France and England during the period from the end of the seventeenth to the mid nineteenth century.
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International directory of publishing enterprises - lists nearly ten thousand university, academic and specialist publishers and imprints throughout the world, and includes subject, market, and purchasing information, etc.
This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?
First multi-year cumulation covers six years: 1965-70.
This is the first full-length biography of a pillar of the Elizabethan and early Jacobean state. A devoted servant of the Queen, Popham played a prominent part as her Attorney-General and Lord Chief Justice in the famous trials of Essex and Ralegh. He condemned to death the Gunpowder Plotters, and acquired a reputation as a severe judge. Enterprising and practical, he promoted attempts to settle Englishmen in Ireland and to drain the Fens of Cambridgeshire. Popham's final achievement was to establish the Virginia Company and send out an expedition that set afoot the first English colony in New England. Sir John was not only important but also notorious, becoming a legendary bogeyman in popular imagination. Accounts written hitherto have focused on that aspect, but this book aims to give a balanced account, giving credit to Popham as a visionary statesman and creative entrepreneur at the very center of English government. This book is thoroughly illustrated.