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Comparative Literary Dimensions, like its companion volume American Literary Dimensions, honors the memory of Melvin J. Friedman. The authors studied include James Joyce, Robert Graves, and Virginia Woolf. A wide range of classical and modern writers and literary themes and concepts are discussed by international scholar-critics such as Haskell Block, Zack Bowen, and Owen Aldrich. The volume concludes with Jackson Bryer's detailed bibliography of Melvin Friedman's singular contribution to the study of modern literature.
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This is the first of two volumes commemorating Friedman's life and work, and includes essays on American literature, poetry, and remembrances.
A collection of original essays by a team of leading Beckett scholars and two of his biographers, Companion to Samuel Beckett provides a comprehensive critical reappraisal of the literary works of Samuel Beckett. Builds on the resurgence of international Beckett scholarship since the centenary of his birth, and reflects the wealth of newly released archival sources Informed by the latest in scholarly, critical, and theoretical debates A valuable addition to contemporary Beckett scholarship, and testament to the enduring influence of Beckett’s work and his position as one of the most important literary figures of our time
James Nagel offers the first systematic history and definition of the short-story cycle as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the genre, all praised by critics while uniformly misidentified as novels. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.
"The study begins with an exploration of O'Connor's Southern milieu, a survey of relevant scholarship (particularly feminist theory), and a clarification of essential terms and concepts surrounding ritual. The remaining chapters are then dedicated to the six short stories, each of which depicts certain ritual patterns and archetypal models. In this way, the study furnishes a prototype that can be applied to O'Connor's entire oeuvre." "Ritual Performance in the Fiction of Flannery O'Connor is an excellent resource for teachers and students of American literature, Southern Studies, feminist theory, and ritual studies. Because it is story-centered rather than theory-driven, it will appeal to those who are looking for ways to read (and teach) O'Connor's astonishing stories more deeply."--BOOK JACKET.
This collection of essays probes the values in a variety of authors who have had in common the fact of popularity and erstwhile reputation. Why were they esteemed? Who esteemed them? And what has become of their reputations, to readers, to the critic himself? No writer here has been asked to justify the work of his subject, and reports and conclusions about this wide variety of creative writers vary, sometimes emphasizing what the critic believes to be enduring qualities in the subject, in several cases finding limitations in what that writer has to offer us today.
The Subversive Storyteller: The Short Story Cycle and the Politics of Identity in America examines how nineteenth- and twentieth-century American authors adapted and expanded the short story cycle to convey subversive or controversial ideas without alienating readers and threatening their ability to succeed within the literary marketplace. The twelve authors highlighted here come from a wide range of cultural, racial, and geographic backgrounds. Their texts represent different, more advanced stages in the development of the short story cycle as each exploits the fragmentation and inherent lack of cohesion of the genre to reflect the changing realities of life in America during key moments in...
This book contains eighteen original essays by leading Joyce scholars on the eighteen separate chapters of Ulysses. It attempts to explore the richness of Joyce's extraordinary novel more fully than could be done by any single scholar. Joyce's habit of using, when writing each chapter in Ulysses, a particular style, tone, point of view, and narrative structure gives each contributor a special set of problems with which to engage, problems which coincide in every case with certain of his special interests. The essays in this volume complement and illuminate one another to provide the most comprehensive account yet published of Joyce's many-sided masterpiece.