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"The Three Kingdoms gives us The Iliad of China. First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. Moss Roberts's translation, the first complete rendering in English, is one of surpassing excellence and impeccable scholarship. It should delight and captivate Western readers for many more years to come."—Anthony C. Yu, University of Chicago "Moss Roberts's elegant and powerful translation of China's most important historical romance has a stunning directness that aptly conveys the dramatic boldness of the original episodic narrative. English readers may now finally understand why this 15th-century novel so strategically shaped the political world-view of generations of Chinese."—Frederic Wakeman, Director of the Institute of East Asian Studies, University of California, Berkeley
"Women entered the book trade in significant numbers in China during the late sixteenth century, when it became acceptable for women from “good families” to write poetry and seek to publish their collected poems. At about the same time, a boom in the publication of fiction began, and semiprofessional novelists emerged. This study begins with three case studies, each of which probes one facet of the relationship between women and fiction in the early nineteenth century. It examines in turn the prefaces written by four women for a novel about women; the activities of a woman editor and writer of fiction; and writings on fiction by three leading literary women. Building on these case studie...
History of the Three Kingdoms is a monumental work that delves into themes of loyalty, ambition, and the intricate dynamics of human relationships against the backdrop of war and political strife. Luo Guanzhong offers a vivid portrayal of the waning Han dynasty, depicting a world where alliances are fleeting, and individuals often prioritize personal gain over collective good. Through the tales of characters like Liu Bei, Cao Cao, and Sun Quan, the novel explores the complexities of leadership and the moral dilemmas inherent in the pursuit of power. Since its publication, Three Kingdoms has been celebrated as a cornerstone of Chinese literature, renowned for its intricate narrative and profo...
Three Heroes Swear Brotherhood In The Peach Garden; One Victory Shatters The Rebels In Battlegrounds. Domains under heaven, after a long period of division, tends to unite; after a long period of union, tends to divide. This has been so since antiquity. When the rule of the Zhou Dynasty weakened, seven contending kingdoms sprang up, warring one with another until the kingdom of Qin prevailed and possessed the empire. But when Qin’s destiny had been fulfilled, arose two opposing kingdoms, Chu and Han, to fight for the mastery. And Han was the victor. The rise of the fortunes of Han began when Liu Bang the Supreme Ancestor slew a white serpent to raise the banners of uprising, which only end...
Examining the geographical dimensions of environmental management and conservation activities implemented on landscapes worldwide, Globalization and New Geographies of Conservation creates a new framework and collects original case studies to explore recent developments in the interaction of humans and their environment. Globalization and New Geographies of Conservation makes four important arguments about the recent coupling of conservation and globalization that is reshaping the place of nature in human-environmental change. First, it has led to an unprecedented number of spatial arrangements whose environmental management goals and prescribed activities vary along a spectrum from strict b...
Eminent Chinese of the Qing Period was first developed under the auspices of the US Library of Congress during World War II. This much-loved work, edited by Arthur W. Hummel Sr., was meticulously compiled and unique in its scope, and quickly became the standard biographical reference for the Qing dynasty, which lasted from 1644 to 1911/2. Amongst the contributors are John King Fairbank, Têng Ssû-yü, L. Carrington Goodrich, C. Martin Wilbur, Fêng Chia-shêng, Knight Biggerstaff, and Nancy Lee Swann. The 2018 Berkshire edition contains the original eight hundred biographical sketches as well as the original front and back matter, including the preface by Hu Shih, a scholar who had been Chi...
This study of the Chinese novel in the eighteenth century, arguably one of the greatest periods of the genre, focuses on the autobiographical features of three important works: The Dream of the Red Chamber, or The Story of the Stone (Honglou meng), The Scholars (Rulin waishi), and the relatively neglected The Humble Words of an Old Rustic (Yesou puyan). The author seeks for answers to the question of why the Chinese novel was becoming increasingly autobiographical during the eighteenth century, even as explicitly autobiographical writing was in a decline. He suggests that several new trends in the development of the genre (such as the accelerated "literatization" process) and the changing st...
Canvasing a range of materials that include early tales of exemplarity, medieval song lyrics, Ming-Qing poetry and plucked rhymes, twentieth century writings about revolutionaries, opera stars, missionaries, and contemporary fiction, this volume illustrates the discourse and representation of friendship in which women gain agency and participate in broader arguments about ethics, politics, and religious transcendence. Friendship prompts reflections on gender roles, becomes the venue of literary self-consciousness, and heightens the sense of literary community. Gender and community function in new ways through the public dimension of friendship, and most importantly, the intersections of gender and friendship enable us to rethink other relationships.