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Louise Menzies
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Louise Menzies
Fin an edition of 15 prints by Louise Menzies is based on the back cover of various issues of the celebrated journal Cahiers du Cinéma. "The most I can do is try to repeat what took place in a different zone in mental terms, trying to distinguish between what made up a part of that sudden conglomeration in its own right and what other associations might have become incorporated into it parasitically. But beneath it all I know that everything is false, that I'm already far away from what just happened to me and that, as on so many other occasions, it comes down to this useless desire to understand, missing, perhaps, the obscure call or signal of the thing itself, the uneasiness I'm left with...
Wellington
Featuring brilliant urban photography, this celebration of the dynamic presence of sculpture in Wellington vividly captures more than 40 sculptures throughout the city's streets and parks. An informative and provocative examination of the sculptures' origins, this collection shows how many of the gorgeous art works came into being due to the shared vision of individuals, government agencies, and corporations who value the relationship of art and city, to brighten the lives of its citizens. The result is both a visual feast and a unique record of the 21st-century city's fabric--sure to be treasured by travelers, art enthusiasts, and locals alike.
Publications
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Regents' Proceedings
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Choreographing Intersubjectivity in Performance Art
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
Director's Report
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The Class of '45
Tis with hearts full of pride, dear alma mater We rise and sing to thee, And pledge to keep our colors high through all the years to be. To thy name we promise to be loyal, Ever faithful ever true, Roosevelt to thee our song shall be, All hail, hail, hail!
