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Multidisciplinary essays examinig the historical and cultural history of the Sephardic experience in the Americas, from pre-expulsion Spain to the modern era, as recounted by some of the most outstanding interpreters of the field.
Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.
A readable and erudite study of the cultural history of Spain and its people.
The indispensable traveler's guide to the history of places throughout the Land of Enchantment.
Cardinal Richelieu is one of the best known and most studied statesmen in European history; his Spanish contemporary and rival, the Count-Duke of Olivares, one of the least known. The contrasting historical fortunes of the two men reflect the outcome of the great struggle in seventeenth-century Europe between France and Spain: the triumph of France assured the fame of Richelieu, while Spain's failure condemned Olivares to historical neglect. This fascinating book by the distinguished historian J. H. Elliott argues that contemporaries, for whom Olivares was at least as important as Richelieu, shared none of posterity's certainty about the inevitability of that outcome. His absorbing comparative portrait of the two men, as personalities and as statesmen, through their policies and their mutual struggle, offers unique insights into seventeenth-century Europe and the nature of power and statesmanship.
Drawing heavily on Inquisition sources, this book rereads the the nexus of politics, race and religion among three newly and incompletely Christianized groups in the seventeenth-century Iberian Atlantic world: Judeoconversos, Afroiberians and Amerindians.
The Buen Retiro, a royal retreat and pleasure palace, was built for Philip IV on the outskirts of Madrid in the 1630s. With its superb display of paintings by Vel zquez and other contemporary artists, the palace became a showcase for the art and culture of Spain's Golden Age. A Palace for a King, first published in 1980, provides a pioneering total history of the construction, decoration, and uses of a major royal palace, emphasising the relationship of art and politics at a critical moment in European history. produced on different aspects of the history of the palace and its decoration since the 1970s. A number of new, unpublished illustrations have been added, and many of the plates are now reproduced in colour. The publication of this edition gains added importance from the fact that plans for the expansion of the Prado Museum include the restoration of the Hall of Realms to approximate its original appearance, as reconstructed in this volume.