You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A fascinating record of how London and Londoners were shaped by nearly 700 years of public executions. More frequent in London than in any other city or town in Britain, these morbid spectacles often attracted tens of thousands of onlookers at locations across the capital and were a major part of Londoners' lives for centuries. From Smithfield to Kennington, Tyburn to Newgate Prison, public executions became embedded in London's landscape and people's lives. Even today, hints of this dark chapter in London's history can still be seen across the city. Featuring the lives and legacies of those who died or who witnessed public executions first hand from 1196 to 1868, this book tells the rarely ...
This book is about the way that professionals in archaeology and in other sectors of heritage interact with a range of stakeholder groups, communities and the wider public. Whilst these issues have been researched and discussed over many years and in many geographical contexts, the debate seems to have settled into a comfortable stasis wherein it is assumed that all that can be done by way of engagement has been done and there is little left to achieve. In some cases, such engagement is built on legislation or codes of ethics and there can be little doubt that it is an important and significant aspect of heritage policy. This book is different, however, because it questions not so much the m...
This is the first volume concerned solely with the archaeology of a major late 17th century building in London, and the major changes it has undergone. St Paul’s Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times. In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with volu...
Hazel Forsyth delvesin to never-before-studied primary sources to shed light on thedramatic aftermath of the disaster and reveal the very personalstories of the people who pieced their lives together in its wake. Bydocumenting the tradesmen, from apothecaries and chandlers toshoemakers and watchmakers, Butcher, Baker, Candlestick Makertells a story of loss and resilience and illuminates how the citywe know today rose from the ashes. Beautifully illustrated withexquisite fabrics, candle snuffers and other fascinating imagesassociated with the trades of the time, we are treated to a visualfeast, an evocative reminder of life before and after the Great Fire.
The history of art in the late Middle Ages and the Renaissance has generally been written as a story of elites: bankers, noblemen, kings, cardinals, and popes and their artistic interests and commissions. Recent decades have seen attempts to recast the story in terms of material culture, but the focus seems to remain on the upper strata of society. In his inclusive analysis of art from 1300 to 1600, Rembrandt Duits rectifies this. Bringing together thought-provoking ideas from art historians, historians, anthropologists and museum curators, The Art of the Poor examines the role of art in the lower social classes of Europe and explores how this influences our understanding of medieval and early modern society. Introducing new themes and raising innovative research questions through a series of thematically grouped short case studies, this book gives impetus to a new field on the cusp of art history, social history, urban archaeology, and historical anthropology. In doing so, this important study helps us re-assess the very concept of 'art' and its function in society.
The third volume in the 6 volume set that examines 2,500 years of the cultural history of race, from antiquity to the present day.
Since 1975 much new archaeological evidence has come to light to illuminate the immense undertaking of Septimius Severus campaigns in Scotland, allowing for the first time the true story of this savage invasion to be told. In the early 3rd century Severus, the aging Roman emperor, launched an immense shock and awe assault on Scotland that was so savage it resulted in eighty years of peace at Romes most troublesome border. The book shows how his force of 50,000 troops, supported by the fleet, hacked their way through the Maeatae around the former Antonine Wall and then pressed on into Caledonian territory up to the Moray Firth.Severus was the first of the great reforming emperors of the Roman...
This second volume in the new TRAC Themes in Roman Archaeology series seeks to push the research agendas of materiality and lived experience further into the study of Roman magic, a field that has, until recently, lacked object-focused analysis. Building on the pioneering studies in Boschung and Bremmer's (2015) Materiality of Magic, the editors of the present volume have collected contributions that showcase the value of richly-detailed, context-specific explorations of the magical practices of the Roman world. By concentrating primarily on the Imperial period and the western provinces, the various contributions demonstrate very clearly the exceptional range of influences and possibilities open to individuals who sought to use magical rituals to affect their lives in these specific contexts – something that would have been largely impossible in earlier periods of antiquity. Contributions are presented from a range of museum professionals, commercial archaeologists, university academics and postgraduate students, making a compelling case for strengthening lines of communication between these related areas of expertise.
Inspired by Theodore Papanghelis’ Propertius: A Hellenistic Poet on Love and Death (1987), this collective volume brings together seventeen contributions, written by an international team of experts, exploring the different ways in which Latin authors and some of their modern readers created narratives of life, love and death. Taken together the papers offer stimulating readings of Latin texts over many centuries, examined in a variety of genres and from various perspectives: poetics and authorial self-fashioning; intertextuality; fiction and ‘reality’; gender and queer studies; narratological readings; temporality and aesthetics; genre and meta-genre; structures of the narrative and transgression of boundaries on the ideological and the formalistic level; reception; meta-dramatic and feminist accounts-the female voice. Overall, the articles offer rich insights into the handling and development of these narratives from Classical Greece through Rome up to modern English poetry.
The year is 1639, and King Charles I and Parliament vie for power, fighting one another with politics and armies alike. Below the streets of London, the faerie court has enemies of its own. The old ways are breaking down, and no one knows what will take their place. A greater threat is growing, and under a new king, mortal and fae will have to lay aside the differences that divide them, and fight together for the survival of London itself...