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In his Foreword to this edition, Jean Charlot says: "An unusual feature of Orozco's letters is the great deal that he has to say about art. That one artist writing to another would emphasize art as his subject seems normal enough to the American reader. Yet, within the context of the Mexico of those days, the fact remains exceptional. The patria Orozco was leaving behind had, even from the point of view of its artists, many cares more pressing than art." The letters and unpublished writings of Orozco from this period (1925-1929) describe an important period of transition in the artist's life, from his departure from Mexico, almost as a defeated man, to the period just before he received the great mural commissions—Pomona, The New School for Social Research in New York, Dartmouth—that were to bring him lasting international fame.
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A biographical dictionary of noteworthy men and women of the Middle Atlantic and Northeastern States and Eastern Canada, including Connecticut, Delaware, Maine, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, Vermont, West Virginia, and in Canada the provinces of New Brunswick, Newfoundland, Nova Scotia, Prince Edward Island, Quebec, and Eastern Ontario.
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Illustrated with over 200 examples drawn from artists practicing around the world, this comprehensive resource thoroughly documents the history of cloth in art. Among the extraordinary roster of international artists--in many disciplines, with diverse philosophies--are James Bassler, Christo, Eva Hesse, Faith Ringgold, and Andy Warhol. 240 illustrations, 120 in color.
Edited and Essay by Gilbert Vicario. Interviews by Pamela Echeverria. Foreword by Jill Medvedow.
This comprehensive volume features exciting and cultrually diverse serigraphs, offset lithographs, and mixed media prints from the Bradywine Workshop