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This book fills a gap in the literature as it uniquely approaches onomastics from the perspective of both anthropology and linguistics. It addresses names and cultures from 16 countries and five continents, thus offering readers an opportunity to comprehend and compare names and naming practices across cultures. The chapters presented in this book explore the cultural significance of personal names, naming ceremonies, conventions and practices. They illustrate how these names and practices perform certain culture-specific functions, such as religion, identity and social activity. Some chapters address the socio-political significance of personal names and their expression of self and otherness. The book also links the linguistic structure of personal names to culture by looking at their morphology, syntax and semantics. It is divided into four sections: Section 1 demonstrates how personal names perform human culture, Section 2 focuses on how personal names index socio-political transitioning, Section 3 demonstrates religious values in personal names and naming, and Section 4 links linguistic structure and analysis of personal names to culture and heritage.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
This Yearbook aims to contribute to a greater awareness of the functions and activities of the organs of the Inter-American system for the protection of human rights.
Roving vigilantes, fear-mongering politicians, hysterical pundits, and the looming shadow of a seven hundred-mile-long fence: the US–Mexican border is one of the most complex and dynamic areas on the planet today. Hyperborder provides the most nuanced portrait yet of this dynamic region. Author Fernando Romero presents a multidisciplinary perspective informed by interviews with numerous academics, researchers, and organizations. Provocatively designed in the style of other kinetic large-scale studies like Rem Koolhaas's Content and Bruce Mau’s Massive Change, Hyperborder is an exhaustively researched report from the front lines of the border debate.
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“Genius?” The tall old man with the fan-shaped beard looked eagerly at his companion, then settled back more heavily against the rows and rows of old books lining the walls to the ceiling on all sides of the room. “Of course Edgar was a genius, but in spite of being a gambler and a drunkard—in spite of it, I tell you!” The other, a thin man of lesser years, his long, inquiring face meditative in the twilight, nodded. “You are right,” he agreed. “But what difference did it make? The only question is, would ‘The Raven’ have been any greater without his gambling and drinking? I doubt it.” The argument was on, and my uncle, Moses Polock, would lean forward now and again, wa...
"Teresa Lozano Long Institute of Latin American Studies."