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The Art of the Deal
Medieval commercial transactions did not occur spontaneously. They were crafted by merchants with the support of numerous personnel on the medieval marketplace: notaries, innkeepers, brokers, transporters, and subordinate personnel of the merchant's entourage. This study introduces the reader to the challenges of trade in the Mediterranean world and to specific market conditions in the Mediterranean French town of Montpellier. A case study of the business of the Cabanis merchants permits an in-depth examination of the facilitation of trade by intermediaries whose activities are traced in the discovery phase of arranging a deal and in its closing and execution. Medieval business practice involved multiple layers of personnel. The complexities of medieval trade are revealed in the new emphasis given to those who assisted merchants in their commercial endeavors.
Inscribing the Hundred Years' War in French and English Cultures
This book explores the intersection of the Hundred Years' War and the production of vernacular literature in France and England. Reviewing a range of prominent works that address the war, including those by Deschamps, Christine de Pizan, Gower, Langland, and Chaucer, as well as anonymous texts and the records of Joan of Arc's trial, Inscribing the Hundred Years' War In French and English Cultures demonstrates the ways in which late-medieval authors responded to the immediate sociopolitical pressures and participated in the debates about the war. The book also investigates the work literary texts performed in their cultural economy by showing how they influenced the development of French and English national identities. Contributors include John M. Bowers; Ellen C. Caldwell; Susan Crane; Patricia DeMarco; Judith Ferster; Norris Lacy; Anne Lutkus; Earl Jeffrey Richards; Michele Szkilnik; Julia M. Walker; and Robert Yeager.
Studies in Manuscript Illumination, 1200-1400
The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.
The Changing Tradition
Contains revised essays from a July 1997 conference, investigating why, and to what extent, women have been excluded from rhetoric, and what contributions they have nevertheless made to it in the past, as well as what they are doing in the field today. Essays are arranged to show the various ways in which received wisdom has been challenged and the rhetorical tradition revised. Topics include Plato's women, the ongoing appeal of St. Catherine of Siena, Lady Mary Wroth's Urania and the rhetoric of female abuse, and feminist thoughts on rhetoric. Annotation copyrighted by Book News, Inc., Portland, OR
Violence Against Women in Medieval Texts
This volume brings together specialists from different areas of medieval literary study to focus on the role of habits of thought in shaping attitudes toward women during the Middle Ages. The essays range from Old English literature to the Spanish Inquisition and encompass such genres as romance, chronicles, hagiography, and legal documents.
Violence in Fifteenth-century Text and Image
Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.
Truth Is Trickiest
At the end of the tenth-century English manuscript the Exeter Book, there is a collection of almost one hundred riddles. They are notable for many reasons, but one feature in particular has challenged modern readers: their lack of solutions. In Truth Is Trickiest, Jennifer Neville argues that the absence of solutions, rather than being an unfortunate accident, uncovers an essential quality of these texts. In opposition to the general expectation that a successfully solved riddle will have one correct answer, Neville argues that the Exeter Book riddles are written to generate multiple solutions. The correct response to an Exeter Book riddle is not a single, elegant solution but instead an ong...
