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Visual Function and Its Management in mTBI
Proceedings of a national conference on the management of functional visual deficits in mild traumatic brain injury (mTBI), held at the Smith-Kettlewell Eye Research Institute, in San Francisco, California on March 4-5, 2011. This volume was edited by Christopher W. Tyler. The event was organized by Arthur Jampolsky, John Brabyn, William Good, Christopher Tyler, Glenn Cockerham, Gregory Goodrich, Ronald Schuchard and Bebe St. John.
Robotic Urologic Surgery
This heavily revised third edition gives an essential textbook which provides a comprehensive guide to robotic surgical techniques in urology. Extensively updated chapters cover general aspects of surgery such as aspects of operating room preparation and anesthesia. Instructions on how to use a variety of the latest techniques for procedures associated with the kidney, prostate, bladder and testicle are covered. Detailed information on how to improve outcomes, avoid potential complications and pitfalls is also provided. Instructive video clips assist the reader in being able to visualize how to enhance their methodologies further. Robotic Urologic Surgery is a detailed up-to-date resource that includes contributions from leading robotic urologic surgeons from around the world. It assists readers in refining their surgical technique and improving their patient care. Therefore, it is a critical resource for all practicing and trainee physicians involved in the care of these patients.
Middletown
Inspired by the immensely influential 1937 sociological study Middletown: A Case Study in Cultural Conflicts by Robert and Helen Lynd, Peter Davis's six documentary films about Muncie, Indiana, set out to examine the lives of Munsonians in the early 1980s. The disputes and conflicts accompanying the filming revealed more about American values and customs than the films themselves. While attempting to transform the data from the Middletown studies into a meaningful and interesting visual form, the filmmakers were constantly distracted by the pressures, decisions and perils of government- and corporate-funded documentary filmmaking. Dwight W. Hoover, a Muncie historian and collaborator in the Middletown film project, describes why the films were made and how they changed the lives of everyone involved.
