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Hong Kong
Hong Kong has always been something of an anomaly, and an outpost of empire, whether British or Chinese. Once described as a barren island, the former fishing community has been transformed by its own economic miracle into one of Asia's World Cities, taking in its stride the territory's 1997 return to Chinese sovereignty. Beneath the surface of Hong Kong's clichéd self-image as Pearl of the Orient and Shopping Paradise, Michael Ingham reveals a city rich in history, myth, and cultural diversity.
City Voices
City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'. Together with work from established authors, both bilingual writers who choose to write in English and expatriate authors who have made Hong Kong their home, a section of 'New Voices' introduces the work of unknown and young writers who are part of today's surge of new creativity.
Hong Kong
Hong Kong is the epitome of the modern city, characterized by its breathtaking skyscraper skyline which dominates its 'fragrant' harbour. Revealing a city rich in history, myth and cultural diversity, Mike Ingham explores the 'pear of the Orient'.
The Spotlight
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Hong Kong
ASIAN / MIDDLE EASTERN HISTORY. Hong Kong has always been something of an anomaly, and an outpost of empire, whether British or Chinese. Once described as a barren island, the former fishing community has been transformed by its own economic miracle into one of Asias World Cities, taking in its stride the Territorys 1997 return to Chinese sovereignty. Beneath the surface of Hong Kongs clichd self-image as Pearl of the Orient and Shopping Paradise, Michael Ingham reveals a city rich in history, myth and vibrant cultural diversity.
Dear Hong Kong
Xu Xi’s body of work witnesses her turbulent love affair with her home-city of Hong Kong. In this probing memoir, she unravels her recently finalised decision to leave the city for good. She critiques a Hong Kong that has, in her eyes, lost its way. And yet, it is only out of the city’s enduring presence in her life, both in the form of memory and periodic homecomings, that she has carved out a personal and literary identity. Dear Hong Kong is a profound reflection on the life of Hong Kong, personified and interrogated by one of its most lucid writers.
The Curriculum, Training Methods and History of a Comptetitive Improvisational Comedy Company
You can hit, you can field, but can you make them laugh? Working from interviews and questionnaires, Bradsaw (theater, Gonzaga U.) also uses his personal experience with a ComedySportz team in describing the intensive preparation necessary to get players ready for competitive improv comedy. He describes the history of the art form, the workshops conducted to help players develop the timing of trapeze artists and the hides of rhinos, and the fine points of a sport that favors explosive mind games over protective headgear, however handy the latter may be. He includes a list of teams in the Comedy League of America, the games played in ComedySportz, and a sample questionnaire. We were amused. The text is double-spaced. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Shakespeare and the Mediterranean
Shakespeare's career-long fascination with the Mediterranean made the association a natural one for this first World Shakespeare Congress of the Third Millennium. The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael Coveney's on the late Sir John Gielgud, Robert Ellrodt's on Shakespeare's sonnets and Montaigne's essays, Stephen Orgel's on Shakespeare's own Shylock, and Marina Warner's on Shakespeare's fairy-tale uses of magic. Also included in the volume's several sections are original pagers selected from special sessions and seminars by other distinguished writers, including Jean E. Howard, Gary Taylor, and Richard Wilson. Tom Clayton is Regents' Professor of English Language and Literature and chair of the Classical Civilization Program at the University of Minnesota. Susan Brock is Head of Library and Information Resources at the Shakespeare Birthplace Trust in Stratford-upon-Avon and Honorary Fellow of the Shakespeare Institute of the University of Birmingham. Vicente Fores is Associate Profe
Performing Gods in Classical Antiquity and the Age of Shakespeare
The gods have much to tell us about performance. When human actors portray deities onstage, such divine epiphanies reveal not only the complexities of mortals playing gods but also the nature of theatrical spectacle itself. The very impossibility of rendering the gods in all their divine splendor in a truly convincing way lies at the intersection of divine power and the power of the theater. This book pursues these dynamics on the stages of ancient Athens and Rome as well on those of Renaissance England to shed new light on theatrical performance. The authors reveal how gods appear onstage both to astound and to dramatize the very machinations by which theatrical performance operates. Offering an array of case studies featuring both canonical and lesser-studied texts, this volume discusses work of Aeschylus, Sophocles, Euripides, Aristophanes, and Plautus as well as Beaumont, Heywood, Jonson, Marlowe, and Shakespeare. This book uniquely brings together the joint perspectives of two experts on classical and Renaissance drama. This volume will appeal to students and enthusiasts of literature, classics, theater, and performance studies.
