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After Extra Time and Penalties: Memories of a BBC Football Correspondent
After almost a quarter-century as the BBC's Chief Football Correspondent, Mike Ingham MBE shares a candid, comprehensive and sometimes controversial account of how the world of broadcasting and football changed beyond recognition throughout his career.
Hong Kong
Explores the culture and history of Hong Kong.
Anglo-American Stage and Screen Drama
Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate.
City Stage
City Stage is an anthology of recent Hong Kong English-language drama written for Hong Kong performers and audiences. All the plays were written in the last ten years and so capture and reflect the fast-developing multiculturalism of the Hong Kong scene – a somewhat paradoxical phenomenon in view of the 1997 return to China Mainland sovereignty. The richness and diversity of the subject-matter, the wide range of theatre styles from the naturalistic to the highly stylized and quite simply the engaging quality of the dramatic writing, all make this anthology both an essential adjunct to the 2001 prose fiction and poetry collection City Voices and at the same time a ground-breaking, independe...
City Voices
City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'. Together with work from established authors, both bilingual writers who choose to write in English and expatriate authors who have made Hong Kong their home, a section of 'New Voices' introduces the work of unknown and young writers who are part of today's surge of new creativity.
Women on the Polish Labor Market
Can women succeed? Gender has been an issue thus far neglected in transition economies. Drawing on official statistics, an international multidisciplinary team examines how women have been affected by the labor market reforms in Poland in the transition period of the 1990s.
Reform of the Socialist System in Central and Eastern Europe
This book analyzes the reform of the socialist system in Central and Eastern Europe and the former Soviet Union. Uniquely, it adopts a multi-disciplinary perspective which includes authors from both Western Europe and the former Communist world. The volume contains analyses of: the prospects for civil society, economic reform and privatisation, theories of economic transition and the role of the state, political change and the persistence of former Communist parties, the prospects for democracy in the former Soviet Union, and gender aspects of labour market reform.
Johnnie To Kei-Fung's PTU
PTU is an underappreciated noir masterpiece by one of Hong Kong's most prolific and commercially successful directors. Johnnie To Kei-fung has been called "the poet of post-1997 and the economic savior of the Hong Kong film industry" for an extraordinary range of films produced during some of Hong Kong cinema's most difficult years. While many of To's celebrated films such as Election, Exiled and The Mission feature themes of criminal glory and revenge, PTU centers on the ethical dilemmas, personal dramas and stoic teamwork in the elite Police Tactical Unit. The story follows the PTU's all-night search for an officer's missing gun as they navigate triad turf struggles and marauding jewel thieves from mainland China. Shot over several years in the hauntingly empty pre-dawn streets of Tsim Sha Tsui, and released coincidentally amid the 2003 SARS panic, the film evokes Hong Kong's post-handover economic despair and multiple identity crises. In terms of character development and psychological complexity, Mike Ingham argues that PTU is the most aesthetically rigorous and satisfying of To's many films.
Women on the Polish Labor Market
Can women succeed? Is women's work appreciated equally to men's? Do women's salaries reflect the quality and quantity of work they do? Does gender make a difference? These questions, which often emerge even in democratic societies and free-market economies, are much more acute in the new democracies of Central and Eastern Europe. Gender has been an issue thus far neglected in transition economies. Drawing on official statistics, an international multidisciplinary team of sociologists, economists, demographers and geographers examines how women have been affected by the labor market reforms in Poland in the transition period of the 1990s. The issues discussed include occupational segregation, the social mobility of women, demographic change, the power and participation of women in public life, women's organizations, and labor market reform.
