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Lin Shu, Inc.
Broken tools -- The name is changed, but the tale is told of you -- Double exposure -- Looking backward? -- The national classicist -- Becoming Wang Jingxuan -- Conclusion : pure and chaste writing
China from Empire to Nation-State
This translation of the Introduction to Wang Hui’s Rise of Modern Chinese Thought (2004) makes part of his four-volume masterwork available to English readers for the first time. A leading public intellectual in China, Wang charts the historical currents that have shaped Chinese modernity from the Song Dynasty to the present day, and along the way challenges the West to rethink some of its most basic assumptions about what it means to be modern. China from Empire to Nation-State exposes oversimplifications and distortions implicit in Western critiques of Chinese history, which long held that China was culturally resistant to modernization, only able to join the community of modern nations ...
What Is China?
Ge Zhaoguang addresses sensitive questions of identity that shape the politics of the world's most populous country. This insider's account teases out nuances of China's encounter with the contemporary world, using its past to explain its present and to provide insight into paths the nation might follow as the current century unfolds.
Eurasia Without Borders
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union an...
Rethinking China's Rise
A vision of contemporary China from the inside, Xu's essays offer a liberal reaction to the complexity of China's rise.
Elegies of Chu
Elegies of Chu (in Chinese, Chuci), one of the two surviving collections of ancient Chinese poetry, is a key source for the whole tradition of Chinese poetry. Because the elegies contain passionate expressions of political protest as well as shamanistic themes of magic spells and wandering spirits, they present an alternative face of early Chinese culture; one that does not align with orthodox Confucianism. This translation employs literary English devices in order to emphasise the original structure of these Chinese poems. It also examines the extraordinarily vivid diction of the source texts, including of onomatopoeia, ornate descriptions, exotic flowers, dramatic landscapes, metaphors and startling similes. This translation will be based on the original anthology compiled in the Han dynasty by Wang Yi (2nd century CE), and contains a selection of poems that were collected from the 3rd century BCE through the Han dynasty. The anthology provides readers with an understanding of Chinese literature and its evolution from free-spirited, mythico-religious songs to the more formal, polished style of the Han court.
Information, Territory, and Networks
"The occupation of the northern half of the Chinese territories in the 1120s brought about a transformation in political communication in the south that had lasting implications for imperial Chinese history. By the late eleventh century, the Song court no longer dominated the production of information about itself and its territories. Song literati gradually consolidated their position as producers, users, and discussants of court gazettes, official records, archival compilations, dynastic histories, military geographies, and maps. This development altered the relationship between court and literati in political communication for the remainder of the imperial period. Based on a close reading...
A Passage to China
"This book, the first of its kind in English, examines the reinvention of loyalism in colonial Taiwan through the lens of literature. It analyzes the ways in which writers from colonial Taiwan—including Qiu Fengjia, Lian Heng, Wu Zhuoliu, and others—creatively and selectively employed loyalist ideals to cope with Japanese colonialism and its many institutional changes. In the process, these writers redefined their relationship with China and Chinese culture. Drawing attention to select authors’ lesser-known works, author Chien-hsin Tsai provides a new assessment of well-studied historical and literary materials and a nuanced overview of literary and cultural productions in colonial Taiwan. During and after Japanese colonialism, the islanders’ perception of loyalism, sense of belonging, and self-identity dramatically changed. Tsai argues that the changing tradition of loyalism unexpectedly complicates Taiwan’s tie to China, rather than unquestionably reinforces it, and presents a new line of inquiry for future studies of modern Chinese and Sinophone literature."
Modern Chinese Literature in the May Fourth Era
One of the most creative and brilliant episodes in modern Chinese history, the cultural and literary flowering that takes the name of the May Fourth Movement, is the subject of this comprehensive and insightful book. This is the first study of modern Chinese literature that shows how China's Confucian traditions were combined with Western influences to create a literature of new values and consciousness for the Chinese people.
The Appropriation of Cultural Capital
"For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China’s literary past."
