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The Oxford Companion to Shakespeare is the most comprehensive reference work available on Shakespeare's life, times, works, and his 400-year global legacy. In addition to the authoritative A-Z entries, it includes nearly 100 illustrations, a chronology, a guide to further reading, a thematic contents list, and special feature entries on each of Shakespeare's works. Tying in with the 400th anniversary of Shakespeare's death, this much-loved Companion has been revised and updated, reflecting developments and discoveries made in recent years and to cover the performance, interpretation, and the influence of Shakespeare's works up to the present day. First published in 2001, the online edition w...
First published in 1981. Each of Shakespeare's plays is in a continuous state of development in performance. This book examines major changes whilst focusing on six plays in detail: Coriolanus, Measure for Measure, Troilus and Cressida, Henry V, Hamlet and Twelfth Night. Changing Styles in Shakespeare looks at representative and key productions to trace the evolution of each play on today's stage, illustrating how production changes relate to a changed perception of the play, and thus to shifts in social attitudes. It singles out the salient features of many productions, paying special attention to reviews and prompt books.
A riveting book about the life of "America's Lawyer," Chesterfield Smith of Florida, written by Michael L. Jamieson, his protégé, colleague, and good friend for 39 years. It should not be missed by lawyers, law students, professors, students of the profession and professional leadership, and those interested in the role of the leader of the nation's organized bar during the Watergate era.
The work of inner-city emergency psychiatric units might best be described as "medicine under siege." Emptying Beds is the result of the author's two-year immersion in one such unit and its work. It is an account of the strategies developed by a staff of psychiatrists, social workers, nurses, and other mental health workers to deal with the dilemmas they face every day.
A reassessment of the historic relation between money and the state through the lens of early modern English literature, Coinage and State Formation examines the political implications of the monetary form in light of material and visual properties of coins as well as the persistence of both intrinsic and extrinsic theories of value.
This book tells the story of the Scottish golf professionals who came to America in 1888 and struggled to earn a living and the respect of the wealthy amateur golf establishment and the United States Golf Association who controlled the sport. Charles "Chay" Burgess--founder of the New England PGA, teacher of three American national champions, and the savior of the Ryder cup--learned the game on ancient seaside links and competed against British greats. His arrival in the U.S. dramatically influenced the growth of golf and the reconciliation of differences between amateurs and professionals. In 1913, the American Francis Ouimet--a working-class unknown under Burgess' tutelage--won the U.S. Open against British celebrities Ted Ray and Harry Vardon. His triumph brought the game to mainstream America.
Elizabethan Popular Theatre surveys the Golden Age of English popular theatre: the 1590s, the age of Marlowe and the young Shakespeare. The book describes the staging practices, performance conditions and acting techniques of the period, focusing on five popular dramas: The Spanish Tragedy, Mucedorus, Edward II, Doctor Faustus and Titus Andronicus, as well as providing a comprehensive history of a variety of contemporary playhouse stages, performances, and players.
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the m...