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BOB DYLAN: WHAT THE SONGS MEAN
The meaning of Bob Dylan’s songs has long been debated by fans, critics and academics. When, in 2016, Dylan was awarded the Nobel Prize in Literature, the significance of his songs was confirmed. Yet their meaning has never been demonstrably explained. Dylan himself has said that people can learn everything about him through his songs: “if they know where to look.” This book shows his millions of fans exactly where that is. Dylan has written hundreds of songs, many of which are acknowledged masterpieces. “Blowin’ in the Wind”, “Like a Rolling Stone”, “Mr.Tambourine Man”, the list goes on. In the 1960s, he was hailed as a prophet. Since then, he’s generally been consider...
The Cambridge Companion to Bob Dylan
A lively set of new essays on Dylan's work as a writer and composer and on his place in American culture.
Jihad and the West
“Expertly weaves the story of the current conflict through the points of view of perpetrators, victims, and nations.”—Journal of Military History U.S. Department of Defense analyst Mark Silinsky reveals the origins of the Islamic State’s obsession with the Western world. Once considered a minor irritant in the international system, the Caliphate is now a dynamic and significant actor on the world’s stage, boasting more than 30,000 foreign fighters from eighty-six countries. Recruits consist not only of Middle-Eastern-born citizens, but also a staggering number of “Blue-Eyed Jihadists,” Westerners who leave their country to join the radical sect. Silinsky provides a detailed and...
The Beatles and Philosophy
"A collection of essays explores philosophical aspects of the Beatles' music, lyrics, and political acitivities. Topics addressed include: skepticism and epistemology, the philosophy of love, altered consciousness and drug culture, and Marxism and social philosophy"--Provided by publisher.
The Late Harold Pinter
This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.
Faith and Freedom
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Bob Dylan and Leonard Cohen
Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. T...
Race and Hegemonic Struggle in the United States
Race and Hegemonic Struggle in the United States: Pop Culture, Politics, and Protest is a collection of essays that draws on concepts developed by Antonio Gramsci to examine the imagining of race in popular culture productions, political discourses, and resistance rhetoric. The chapters in this volume call for renewed attention to Gramscian political thought to examine, understand, interpret and explain the persistent contradictions, ambivalence, and paradoxes in racial representations and material realities.This book’s contributors rely on Gramsci’s ideas to explore how popular, political, and resistant discourses reproduce or transform our understandings of race and racism, social inequalities, and power relationships in the twentieth and early twenty-first centuries. Together the chapters confront forms of collective and cultural amnesia about race and racism suggested in the phrases “postrace,” “postracial,” and “postracism," while exposing the historical, institutional, social, and political forces and constraints that make antiracism, atonement, and egalitarian change so difficult to achieve.
London Magazine
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The London Magazine
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