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Poet, novelist, singer-songwriter, artist, prophet, icon - there has never been a figure like Leonard Cohen. This second of three volumes follows him from the conclusion of his first international music tour in 1971 as he continued to compose poetry, record music, and search for meaning into the late 1980s. This period also marks the start of his forty-year immersion in Zen Buddhism, which would connect him to the legendary Zen master Joshu Sasaki Roshi and inspire some of his most profound and enduring art. Residence: Toronto, ON.
The extraordinary life of one of the world’s greatest music and literary icons, in the words of those who knew him best. Poet, novelist, singer-songwriter, artist, prophet, icon—there has never been a figure like Leonard Cohen. He was a true giant in contemporary western culture, entertaining and inspiring people everywhere with his work. From his groundbreaking and bestselling novels, The Favourite Game and Beautiful Losers, to timeless songs such as “Suzanne,” “Dance Me to the End of Love,” and “Hallelujah,” Cohen is a cherished artist. His death in 2016 was felt around the world by the many fans and followers who would miss his warmth, humour, intellect, and piercing insig...
Leonard Cohen has aimed high: to be all Jewish heroes at once. Like Jacob, he struggled with angels. Like David, he sang psalms and seduced women. But he never ceased doing what he did best: going from city to city and reviving our hearts. Leonard Cohen: The Man Who Saw the Angels Fall follows the singer’s cosmopolitan life from Montreal and New York to the Greek island of Hydra and examines his perpetual dialogues with himself, God, and avalanches. We see how six decades of radiant pessimism and a few thousand nights in hotel rooms transformed a young Jewish poet who longed to be a saint into an existentialist troubadour in love with women and a gravelly-voiced crooner who taught a thousand ways of dissolving into love. After more than two decades of research and travels, Christophe Lebold, who befriended the poet and spent time with him in Los Angeles, delivers a stimulating analysis of Cohen’s life and art. Gracefully blending biography and essay, he interrogates the mission Cohen set out for himself: to show us that darkness is just the flip side of light.
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Tying Greece to the West: US-West German-Greek Relations 1949-74 examines the reconstruction of Greece in the post-war era and how the Greek foreign economic and political relations with the United States and West Germany developedespecially the Greek-West German trade and the American and West German financial and aid policy. Furthermore, it investigates what impact Greek foreign relations had on the domestic development, particularly in relation to the establishment of the dictatorship in 1967the so-called Colonels Regime. The Second World War disrupted the Greek economy, polarized politics and left Greece in a state of severe economic and social disorder. The Axis occupation was followed by civil war with devastating consequences and the Greek Civil War was one immediate reason for the declaration of the Truman Doctrine in 1947. The Truman Doctrine made Greece subject to the most costly overseas American aid program ever in peace time. However, gradually, West Germany became the b
A look not only at the inner man but also at the environments that shaped Leonard Cohen, from the rock scene of New York in the 1960s to the remote Zen monastery where Cohen spent years later in life.
A variety of productions and representations of Canadian identities are the central theme that runs through this book. The different contributions explore imagined spaces by considering Canadian music, poetry and novels; they engage with political space by addressing various ways in which the people of Canada have made claims to different regions in the distant and recent past; and they address lived spaces, and their actual and symbolic meanings. It is an unusual book as it encompasses the writings by those studying the arts and literature as well as writings by social scientists, and it includes both English and French-speaking scholars. The richness that can be found in this multitude of perspectives and approaches to exploring Canadian space is characteristic of the way in which Canadian Studies is practiced nowadays. It is therefore an appropriate volume to celebrate 20 years of Canadian Studies in the Netherlands.
Creatively bringing the songs, prayers, and poetry of Leonard Cohen into conversation with Scripture, this book deeply grounds Cohen’s work in the landscape of the biblical imagination, paying special attention to Jesus together with the prophetic and priestly voices of Scripture. What emerges is a compellingly lyrical work of theology that deepens our understanding of both Cohen and biblical faith. Leonard Cohen has undoubtedly been a liturgist for our time, a cantor singing for all those clothed in rags of light, a prophet in the ruins, and a priest who greets us “from the other side of sorrow and despair.”