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This long-awaited, last installment of Reverend Edward A. Malloy’s three-volume memoir examines his eighteen years as president of the University of Notre Dame from 1987 to 2005. In this candid and lively account, Malloy, or “Monk” to all who know him, shares his reflections on his presidency following the long-term leadership of Theodore M. Hesburgh, C.S.C. Malloy describes his transition into the presidency, his approach to leadership, issues related to Catholic identity, the importance of fund-raising, and finding the proper balance in intercollegiate athletics. Communication issues were of paramount importance during Malloy's tenure, and he discusses how he fostered good relationsh...
Since the mid-1980s, and in particular the 1992 environmental summit in Rio de Janeiro, sustainability has become a global issue and the subject of international debate. In the context of architecture sustainability implies the use of intelligent technology, innovative construction methods, ecologically friendly materials and use of environmentally-friendly energy resources. This book begins with an overview of the various approaches and developments in sustainable architecture, followed by an in-depth section on urbanism looking at several European towns. In the third section the technologies, materials and methods of ecological architecture are examined. Concluding the volume are 23 sophisticated and innovative European case studies. The author and architect Dominique Gauzin-Müller has specialised on energy and environmental issues and ecological architecture for over 15 years.
This book approaches the field of built heritage and its practices by employing the concept of heterotopia, established by the French philosopher Michel Foucault. The fundamental understandings of heritage, its evolution and practices all reveal intrinsic heterotopic features (the mirror function, its utopic drive, and its enclave-like nature). The book draws on previous interpretations of heterotopia and argues for a reading of heritage as heterotopia, considering various heritage mechanisms – heritage selection, conservation and protection practices, and heritage as mnemonic device – in this regard. Reworking the six heterotopic principles, an analysis grid is designed and applied to various built heritage spaces (vernacular, religious architecture, urban 19th century ensembles). Guided through this theoretical itinerary, the reader will rediscover the heterotopic lens as a minor, yet promising, Foucauldian device that allows for a better understanding of heritage and its everyday practices.
In this book, Alessandro Pierattini offers a comprehensive study of the evolution of pre-archaic Greek temple architecture from the eleventh to mid-seventh century BCE. Demystifying the formative stages of Greek architecture, he traces how temples were transformed from unassuming shrines made of perishable materials into large stone and terracotta monuments. Grounded in archaeological evidence, the volume analyzes the design, function, construction, and aesthetic of the Greek temple. While the book's primary focus is architectural, it also draws on non-architectural material culture, ancient cult practice, and social history, which also defined the context that fostered the Greek temple's initial development. In reconstituting this early history, Pierattini also draws attention to new developments as well as legacies from previous eras. Ultimately, he reveals why the temple's pre-Archaic development is not only of interest in itself, but also a key to the origins of the Greek monumental architecture of the Archaic period.
A study of British and American Utopian writing of the 1800s in the context of developments in real architectural, political, and cultural life. The book studies utopian visions published in the UK and the USA in the 1800s by writers such Robert Owen, James Silk Buckingham, Edward Bellamy, and William Morris.
The importance of this dictionary stems from Quatreme're's profound reflections on the nature of architecture: on the principles which are at the source of his rules and on the roles of imitation and invention within tradition. This book provides the first English translation of the theoretical essays from his seminal work, Le Dictionnaire Historique d' Architecture.
Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.
How mathematics helped build the world's most important buildings from early Egypt to the present From the pyramids and the Parthenon to the Sydney Opera House and the Bilbao Guggenheim, this book takes readers on an eye-opening tour of the mathematics behind some of the world's most spectacular buildings. Beautifully illustrated, the book explores the milestones in elementary mathematics that enliven the understanding of these buildings and combines this with an in-depth look at their aesthetics, history, and structure. Whether using trigonometry and vectors to explain why Gothic arches are structurally superior to Roman arches, or showing how simple ruler and compass constructions can prod...
If architectural judgment were a city, a city of ideas and forms, then it is a very imperfect city. When architects judge the success or failure of a building, the range of ways and criteria which can be used for this evaluation causes many contentious and discordant arguments. Proposing that the increase in number and intensity of such arguments threatens to destabilize the very grounds upon which judgment is supposed to rest, this book examines architectural judgment in its historical, cultural, political, and psychological dimensions and their convergence on that most expressive part of architecture, namely: architectural character. It stresses the value of reasoned judgment in justifying...
Even as oversized McMansions continue to elbow their way into tiny lots nationwide, a much different trend has taken shape. This return to traditional architectural principles venerates qualities that once were taken for granted in home design: structural common sense, aesthetics of form, appropriateness to a neighborhood, and even sustainability. Marianne Cusato, creator of the award-winning Katrina Cottages, has authored and illustrated this definitive guide to what makes houses look and feel right—to the eye and to the soul. She teaches us the language and grammar of classical architecture, revealing how balance, harmony, and detail all contribute to creating a home that will be loved rather than tolerated. And she takes us through the do’s and don’ts of every element of home design, from dormers to doorways to columns. Integral to the book are its hundreds of elegant line drawings—clearly rendering the varieties of lintels and cornices, arches and eaves, and displaying “avoid” and “use” versions of the same elements side by side.