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In this provocative work, Joel Faflak argues that Romanticism, particularly British Romantic poetry, invents psychoanalysis in advance of Freud. The Romantic period has long been treated as a time of incipient psychological exploration anticipating more sophisticated discoveries in the science of the mind. Romantic Psychoanalysis challenges this assumption by treating psychoanalysis in the Romantic period as a discovery unto itself, a way of taking Freud back to his future. Reading Romantic literature against eighteenth- and nineteenth-century philosophy, Faflak contends that Romantic poetry and prose—including works by Coleridge, De Quincey, Keats, and Wordsworth—remind a later psychoanalysis of its fundamental matrix in phantasy and thus of its profoundly literary nature.
Killing Freud takes the reader on a journey through the 20th century, tracing the work and influence of one of its greatest icons, Sigmund Freud. A devastating critique, Killing Freud ranges across the strange case of Anna O, the hysteria of Josef Breuer, the love of dogs, the Freud industry, the role of gossip and fiction, bad manners, pop psychology and French philosophy, figure skating on thin ice, and contemporary therapy culture. A map to the Freudian minefield and a masterful negotiation of high theory and low culture, Killing Freud is a witty and fearless revaluation of psychoanalysis and its real place in 20th century history. It will appeal to anyone curious about the life of the mind after the death of Freud.
Of all the extraordinary stories to emerge from the catastrophic Queensland floods of January 2011, the most starkly tragic and dramatic were those that came out of Toowoomba and the Lockyer Valley. "The Torrent" is a unique and powerful account of the devastating power of nature - and the enduring resilience of the human spirit.
Merleau-Ponty in contemporary perspective: this was the theme of the conference at the Institute of Philosophy, Katholieke Universiteit Leuven (K. U. L. ) from 29 November to 1 December 1991. Thirty years after Merleau Ponty's untimely death, it seemed appropriate to bring together scholars from Europe and from the United States of America to reappraise his philosophy. In fact, a significant body of scholarship has emerged which would seem to attest to the continuing importance of his thought for a variety of disciplines within the humanities, the social sciences, and the philosophy of nature. In the present volume, Gary Brent Madison addresses the issue whether Merleau-Ponty can be consider...
Spivak's work is essential, but very difficult to understand - this is the first student guide to her work, filling a glaring gap in the market Spivak is compulsory study on undergraduate literary theory courses. Her work covers feminism, deconstruction and post-colonialism, all core topics in literary theory Spivak is also central to the study of post-colonial literatures, which is one of the three most popular undergraduate modules in the UK Extremely clear structure. It concentrates on one idea per chapter A key addition to the Routledge Critical Thinkers series, providing clear introductions to key thinkers for students of literary studies
The Sarah Kofman Reader is a comprehensive anthology of significant essays and book excerpts by the postwar French philosopher and theorist Sarah Kofman (1934-1994).
Gathered from various issues of the journal BOUNDARY 2, the essays in GENDERED AGENTS assess questions of sexuality, ethics, race, psychoanalysis, subjectivity, and identity--meant to challenge traditional Western epistemology and suggest new directions for feminism. These bold essays will interest not only feminist theorists and activists, but academics from a variety of disciplines such as philosophy, sociology, anthropology, etc.
Originally published: New York: North Point Press, 2001.
Taken together, these intimate self-portraits provide a vibrant overview of the multiplicity and depth of continental philosophy in America."--Jacket.
Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave. “We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest ...