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More Than Precious Memories
-Scott Tucker, looks at the theme of "heaven" in six of the Gaither Homecoming songbooks - David Fillingim looks at how Southern Gospel Music answers the question of theodicy from the perspective of the rural, white, working class - Robert M. McManus explores selected song lyrics to show how Southern Gospel Music helps construct the identity of the community compared to Contemporary Christian Music - Darlene R. Graves identifies key sustaining personality strengths of women that tend to preserve consistency between their public performance and personal spiritual walk - Elizabeth E Desnoyers-Colas and Stephanie Howard (Asabi) explore Southern Gospel and Black Gospel music, through the influen...
Preaching the Inward Light
Well-researched and well-written, Preaching the Inward Light is a timely look backward to these spirited people.
Elizabethan Parliaments 1559-1601
Michael Graves provides a clear summary of conflicting interpretations of Elizabethan parliaments and presents a new perspective, striking a balance between business and politics.
To Leave a Shadow
Pete Stone hadn't always been a private eye. He'd lost his dairy business at the toss of a coin when the depression hit. His children grew up, as children do, and his wife left him for a chinchilla farmer. He had learned to like his solitude. When Mrs. Lucille Hamilton walked through his door searching for her missing husband, Pete was the only one who believed her husband's death hadn't been a suicide. "With a clean, detailed, vigorous style, Graves introduces us to Detective Pete Stone, his worldly and lovable gumshoe. Set in 1930's Wichita, Midwesterners will take particular joy in Graves's depiction of the city and the jazz age in this compelling mystery." --Kevin Rabas, Lisa's Flying Electric Piano
Michael Graves
One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism. Following a devastating illness that paralyzed him from the chest down, Graves became a tireless designer and advocate of improved heal...
The Vocabulary Book
This new second edition includes two entirely new chapters on selecting vocabulary words for study and vocabulary instruction for English Language Learners. In addition, every chapter has been substantially updated to incorporate discussion of next-generation standards. Incorporating the newest research in vocabulary acquisition into the four-part model of vocabulary instruction that made the first edition a bestseller, this edition emphasizes vocabulary as an important tool in meeting the needs of increasingly diverse students K-12. It also includes new instructional approaches to teaching vocabulary that have been developed and classroom-tested since the release of the first edition.
Five Architects
Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption...
The Land of Open Graves
In his gripping and provocative debut, anthropologist Jason De Le—n sheds light on one of the most pressing political issues of our timeÑthe human consequences of US immigration policy.Ê The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De Le—n uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of ÒPrevention through Deterrence,Ó the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, this policy has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. In harrowing detail, De Le—n chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.
The White Goddess
The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.
Matter, Materiality and Modern Culture
Matter, Materiality and Modern Culture offers a new approach to the study of contemporary objects, to give the reader a new understanding of the relationship between people and their material world. It asks how the very stuff of our world has shaped our societies by addressing a broad array of questions including: * why do Berliners have such strange door keys? * should the Isle of Wight pop festival be preserved? * could aliens tell a snail shell from a waste paper basket * why did Victorian England make so much of death and burial?
