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"This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition, and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures, and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes, and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis, and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions"--
The papers of this volume highlight the intellectual and literary contribution of Michael Psellos (1018-after 1081?) by offering readings of his original texts from a variety of scholarly perspectives.
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"Michael Psellos was the 'Cicero of Byzantium, ' except that his interests were more wide-ranging than those of his Roman predecessor. In addition to being a politician, poet, and writer of letters, speeches, and treatises on philosophy and rhetoric, he was an innovative historian and a practical educator who interested himself in all aspects of learning, from mathematics and medicine to theurgy. Before now, only his 'Chronographia' has been at all well known. Anthony Kaldellis has done a great service in making accessible a collection of texts bearing upon personal familial relationships, of which we know so little in Byzantium. His translations read well, are accurate, and reflect Psellos'...
The Letters of Psellos is the first detailed study of the correspondence of Michael Psellos, a leading Byzantine intellectual, politician, and writer of the eleventh century. Psellos' corpus of over 500 letters represents a historical source of great significance for the study of society and culture of the time: literary masterpieces in and of themselves, yet often complex and difficult to understand in their entirety, they not only rebound with subtlety and humour, but also offer invaluable information on myriad subjects ranging from the political culture of Byzantium and its civil administration to social codes, religious beliefs, and popular culture. This volume consists of two complement...
This comprehensive study of Michael Psellos unravels the rich history of authorship, literature and self-representation in Byzantium.
The ambition of Michael Psellos on Literature and Art is to illustrate an important chapter in the history of Greek literary and art criticism and introduce precisely this aspect of Psellian writing to a wider public.
A penetrating analysis of the "Chronographia," which reveals how Psellos integrated his vision of a secular state and his philosophical opposition to Christianity into a historical narrative. Psellos' dissimulation and rhetorical techniques are examined thoroughly.
Character is the single most important feature of the Chronographia written by Michael Psellos (1018-1081?). It is an historical account of the events at court from the time of Basil II (986-1025) to Michael VII Doukas (1071-1078) with the insight of someone whose career developed within the imperial court and his unsurpassed eye for details of personality was enlightened by his intellectual interests. During his lifetime, Psellos was considered the forefront of philosophical studies in the capital and therefore was named consul of philosophers in 1047 and he credited himself with reintroducing Plato on the cultural scene of Constantinople. It was his attractive manner of speech which led hi...
"This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition, and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures, and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes, and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis, and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions"--