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Timothy Findley (1930-2002) is one of the most important contemporary Canadian writers. His novels have been classified as postmodern, exhibiting characteristic features such as parody, historiographic metafiction, and hybrid genres. This classification of Findley as a postmodern writer, however, largely neglects the fact that Findley is deeply committed to the exploration of certain ethical and political themes. Recurring topics in his work are, for instance, fascism, environmental concerns, and the problem of responsibility. Sparked off by the fascinating question of how postmodernism and ethics can be reconciled at all, and inspired by the so-called ethical turn in the literary theory of the 1990s, this study supplies a closer look at Findley's ethics with regard to its postmodern potential. A detailed analysis of five of his novels (The Wars, Famous Last Words, Not Wanted on the Voyage, The Telling of Lies and Headhunter) explores the ethical dimension of Findleys work and its consequences for his categorization as a postmodern writer.
During energy crisis at the end of the Sixties, a new idea to exploit solar energy arose: Solar Power Satellites. These satellites need a huge surface to collect enough solar energy to be beamed on Earth by means of a microwave power transfer system. Different concepts appeared during last forty years and a lot of studies addressing the SPS economical feasibility have been published. In this work a particular concept is considered, the JAXA Reference Concept 2003. It is a formation flying SPS, composed by two reflectors and a central array panel. The objective of the work is to study two major problems this concept presents. Due to its dimensions, the satellite orbit will suffer from importa...
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