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Rocking the Classics
This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.
Risk Measurement, Econometrics and Neural Networks
This book comprises the articles of the 6th Econometric Workshop in Karlsruhe, Germany. In the first part approaches from traditional econometrics and innovative methods from machine learning such as neural nets are applied to financial issues. Neural Networks are successfully applied to different areas such as debtor analysis, forecasting and corporate finance. In the second part various aspects from Value-at-Risk are discussed. The proceedings describe the legal framework, review the basics and discuss new approaches such as shortfall measures and credit risk.
Plunderphonics, 'pataphysics & Pop Mechanics
Where new music collides with contemporary pop (as opposed to jazz or classical), Plunderphonics explains the implications of the new wave of sonic appropriation.
Music Is Rapid Transportation
A truly alternative look at music lists, not one that merely includes the obvious but shows the connections of popular music to the avant garde, the obscure, the experimental, the quirky, and the adventurous, this edition leads the curious reader towards new musical experiences hitherto unknown to them.
Henry Cow
In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world.
Different Every Time
Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with Pink Floyd and toured America with Jimi Hendrix. He brought a Bohemian and jazz outlook to the 60s rock scene, having honed his drumming skills in a shed at the end of Robert Graves' garden in Mallorca. His life took an abrupt turn after he fell from a fourth-floor window at a party and was paralysed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom, and in the early eighties his solo work was increasingly political. Today, Wyatt remains perennially hip, guesting with artists such as Bjork, Brian Eno, Scritti Politti, David Gilmour and Hot Chip. Marcus O'Dair has talked to all of them, indeed to just about everyone who has shaped, or been shaped by, Wyatt over five decades of music history.
Ethics in Culture
Alongside the recent cultural turn in the humanities, there has been a noticeable return to ethical considerations. With regard to literature as well as other media, this has rekindled awareness of a tension, antagonism, or even disparity between ethics and aesthetics. This volume of articles takes a more systematic and cross-disciplinary approach to the widely mooted ethical turn in literature and other media than has been pursued so far. It brings together a wide range of critical perspectives from literary studies, media and cultural memory studies, and philosophy, tracing the complex and sometimes conflicting relationship between ethics and aesthetics in theoretical contexts and individual case studies as diverse as colonial architecture, nineteenth-century literary histories, and postmodern writing and art.
The Rough Guide to Rock
Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.
Underground: The Illustrated Bible of Cursed Rockers and High Priestesses of Sound
They don’t do it for the fame, they do it for the music – these rock legends and priestesses of sound are the outsiders, the trailblazers, artists who changed the face of music forever simply for the love of it. From Captain Beefheart to Patti Smith, this odyssey through the rock hinterlands is perfect for fans of outsider artists, rock history aficionados, and those modern vinyl lovers who want to discover the saga that got music to where it is today. Featuring an all-new foreword from writer and musician Michael Moorcock, this is the essential guide to the weird and wonderful performers that became legends in their own right.
No Wave
Flashing through New York in the late 1970s, No Wave was the ultimate anti-movement. Its bands consisted of untrained artists looking to explode rock and disappear before the smoke cleared. The primary perpetrators all drew on primitivism, performance art, and the avant-garde. But they were best known for short songs and even shorter life spans. No Wave traces the history of this unique movement, from early pioneers like Suicide to Richard Hell, to hidden treasures like Red Transistor and 8-Eyed Spy, to descendents like ESG and Sonic Youth. No Wave is a comprehensive guide to a movement whose influence still resonates today.
