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This book tells the story of the lives and deaths of 162 Kerrymen who died for the ideal of an independent Irish republic of 32 counties. Many were killed in action but others were executed or died while in captivity as a result of brutality or neglect. In telling their stories Tim Horgan has provided an intriguing social history of the county and a snapshot of life in Ireland. They range from the story of Thomas Ashe whose funeral was attended by over 100,000 people to that of seventeen year old Tom Moriarty who was buried secretly by his comrades. They include people like the First World War marksman, Con Healy, who though dying of tuberculosis went on to become a hero fighting for his own country and the contrasting stories of Patrick Lynch who was shot dead at his doorstep and of Tim O'Sullivan who was executed in faraway Donegal, though they were born in neighbouring parishes in South Kerry. This book will certainly be a collectors item and will make a wonderful gift for anyone with Kerry connections.
In 1916 William Dawe leads a paleontological expedition into the badlands of Alberta. Fifty years later his daughter enters these same badlands and while visiting the expedition site exposes the absurdity of her father's work.
From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.
Ballykinlar Internment Camp was the first mass internment camp to be established by the British in Ireland during the War of Independence. Situated on the County Down coast and opened in December 1920, it became home to hundreds of Irish men arrested by the British, often on little more than the suspicion of involvement in the IRA. Held for up to a year, and subjected to often brutal treatment and poor quality food in an attempt to break them both physically and mentally, the interned men instead established a small community within the camp. The knowledge and skills possessed by the diverse inhabitants were used to teach classes, and other activities, such as sports, drama and music lessons, helped stave off boredom. In the midst of all these activities the internees also endeavoured to defy their captors with various plans for escape. The story of the Ballykinlar internment camp is on the one hand an account of suffering, espionage, murder and maltreatment, but it is also a chronicle of survival, comradeship and community.