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A History of the Concerto
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Teaching the World
This book catalogues an exhibition of textbooks by authors from the University of Alberta. Each finished textbook contains its own story of challenges and victories. And each has its own power as a record of knowledge, a teaching tool, and an object of permanence and beauty.
An Analytical Study on Performance Practices
In this collection of academic essays, award-winning pianist and music professor Yaokun Yang shares her carefully compiled analyses of classical music and aesthetics during several different periods, focusing particularly on the aspect of piano performance practice. Yang, who devoted six years to her research, offers extensive commentary, historical background, and comparisons of varied composers and their music. The pieces she studies include Beethovens piano sonatas, an advanced piano teaching series, the development of opera in different areas, Bachs Brandenburg concertos, Haydns piano sonatas, the Bach-Busoni Chaconne, Brahmss Intermezzo, Olivier Messiaens Vingt regards sur lenfant-Jsus, Prokofievs piano sonatas, Weberns Six Pieces for Large Orchestra, and Schumanns Piano Concerto. With this collection of analyses, Yang hopes to provide information and commentary to help contemporary pianists recognize the beauty and the challenges of performing different musical styles in appropriate ways.
The Cambridge Companion to Liszt
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
William Walton and the Violin Concerto in England between the 1900 and 1940: from Elgar to Britten
The aim of this dissertation is to present a study and an historical-musicological analysis of the Concerto for Violin and Orchestra of Sir William Walton, discussing more specifically the shape of the Concerto for Violin in England between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The thesis is divided in three parts: - the first discusses the Concertos for Violin and Orchestra of the composers active in England between 1900 and 1920: Stanford*, Elgar, Coleridge-Taylor, Delius. - the second discusses the Concertos for Viol...
The Resonance of a Small Voice
This book constitutes both a study and a historical musicological analysis of Sir William Walton's Violin Concerto, treating the form of the violin concerto in general in England, as it developed between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The study is divided into three parts: - The Violin Concerto in England between 1900-1920: Stanford, Elgar, Coleridge-Taylor, Delius. - The Violin Concerto in England between 1920 and 1940: Vaughan Williams, Somervell, Bax, Britten. - William Walton's Violin Concerto The book opens ...
The Necessity of Music
Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I: Places -- 1 How German Is It? -- 2 Music in Place -- 3 Musical Itinerancy in a World of Nations -- 4 Music at the Fairs -- Part II: People -- 5 Mendelssohn on the Road -- 6 A.B. Marx's Cosmopolitan Nationalism -- 7 Schumann's German Nation -- 8 The Musical Worlds of Brahms's Hamburg -- Part III: Public and Private -- 9 What Difference Does a Nation Make? -- 10 Men with Trombones -- 11 Women's Wagner -- 12 Hausmusik in the Third Reich -- 13 To Be or Not to Be Wagnerian in Leni Riefenstahl's Films -- 14 Saving Music -- Notes -- Index
Marcel Moyse
Drawing on well over 100 interviews with European and American students, colleagues, and family members, McCutchan traces his career, with particular attention to the cultural and political conditions that helped mold him. She distills a truthful and full portrait of this charismatic, complex and sometimes puzzling man.
The Cambridge Companion to the Concerto
No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.
