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Michael William Balfe
Without doubt, Michael William Balfe (1808-1870) was the most successful composer of English opera in the mid nineteenth century. During his lifetime he enjoyed an international reputation and worked with some of the leading singers of the time, including Jenny Lind, Malibran and Grisi. Drawing on previously unused source materials such as letters, legal documents and playbills, this biography of Balfe and in-depth study of his English operas overturns many of the previously accepted 'facts' of the composer's lifestyle. Using London as his base, Dublin-born Balfe spent long periods in Paris and travelled widely in Europe. William Tyldesley discusses the continental influences evident in Balfe's operas and offers new suggestions as to the draw that Paris held for the composer. Far from leading a fairly prosperous and unexceptional life, Balfe is shown to have found himself in financial straits on more than one occasion, and to have employed possibly unethical means of extracting himself from them. Those wishing to perform Balfe's works or to do further research into them, will find Tyldesley's re-examination of the composer a necessary first port of call.
Michael W. Balfe
Michael William Balfe (1808-1870), rose to fame in London in 1835 immediately after the premiere of his first opera, The Siege of Rochelle. For the next 35 years, this unique Dublin-born musician was destined to be the most important operatic composer in Victorian Britain. He was to music in Victorian Britain what his renowned contemporary, Charles Dickens, was to literature. The popularity of their respected works reached far beyond London, Dublin, and New York, in the English speaking world. Balfe also personally achieved great success in places such as Paris, Vienna, Berlin, Bologna, Palermo, Trieste, and St. Petersburg. In all, he composed 28 operatic works over his lifetime. However, wh...
Balfe
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The Bohemian Girl
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A Memoir of Michael William Balfe
Reprint of the original, first published in 1875.
English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe
First published in 1994. This study sets out to investigate English opera from 1834 to 1864. The author attempts to understand the circumstances influencing the development of English nineteenth-century opera, its characteristic features, and the reasons why these traits held sway. This title will be of great interest to students of art and cultural history.
Arthur Sullivan
Published in 1992. This is a revised, enlarged edition of a book which on its original appearance in 1984 was hailed as a landmark in the study of Victorian musical life. It presents the figure of Sir Arthur Sullivan (1842-1990) not only as the celebrated co-creator of light operas with W.S Gilbert, but as a composer of all kinds of music from symphony and concerto to ballads such as 'The Lost Chord' and hymns such as 'Onward, Christian Soldiers'. A prominent public life, with a knighthood in 1883, is contrasted with an unconventional private life involving a liaison of almost thirty years with an American living in London, Mary Frances Ronalds. The author's access to Sullivan's diary held by Yale University and to letters and other documents at the Pierpont Morgan library in New York gives this book both a unique authority and a deep human understanding. A new chapter updates research to the 150th anniversary of the composer's birth, 1992, and incorporates music examples.
