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This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson "has the strongest face in the business, and he is also one of its best actors." Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.
Stories matter. They help us digest information, make sense of our world, learn valuable lessons, understand ourselves, store information, find meaning, and remember. Our stories can define us, tell us who we are, and who we might yet become. Researchers tell us that stories are one of the most elemental ways we process information. We understand the world through stories. Stories are accessible to our brains; we can more easily process narratives. They make sense to us. This book takes political storytelling seriously. Research on the brain indicates that humans learn from and profit from narratives. They help us make sense of a complex world, teach us important lessons, socialize us into society, are agents of education, information, and entertainment. How best to receive and process new information? As stories are important to us, so too are political narrative as a key to our identities. So many of our political views and subsequent behavior have roots in the myths and stories of America. This book examines stories of our lives as presented in paintings, music, and films. When the legend becomes fact, print the legend.
In For Kids of All Ages,members of the National Society of Film Critics celebrate the wonder of childhood in cinema. In this volume, original essays commissioned especially for this collection stand alongside classic reviews from prominent film critics like Jay Carr and Roger Ebert. Each of the ten sections in this collection takes on a particular aspect of children’s cinema, from animated features to adaptations of beloved novels. The films discussed here range from the early 1890s to the present. The contributors draw on personal connections that make their insights more trenchant and compelling. The essays and reviews in For Kids of All Ages are not just a list of recommendations—thou...
This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture.
An analysis of the ideologies and artistic conventions of American movies includes examinations of films such as Casablanca, Taxi Driver, and The Godfather.