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The Literary Life of Pictures
This book offers a theory of ekphrasis—the literary description of an artwork—from the perspective of Visual Culture studies. A theory of ekphrasis must take into account not only the rhetorical strategies articulated in the description of artworks, but also the complex interplay that holds together the pictures that are described, the gazes that rest on them, and the dispositives that mediate them. It is therefore a matter of linking the study of the verbal rhetoric with the dynamics that are established between the author, the reader, and the visual artworks, real or fictive, as well as the performative aspects of description and the mediascapes that, from time to time, condition the g...
Archaeologies of Visual Culture
This book analyzes different historical and cultural staging of gazes, otpical devices and images in the context of a discipline that goes by the name of visual culture. Here literary studies have contaminated and thus expanded their original field of investigation not only addressing, as in the past, the question of the relationship between verbal and visual, but also giving substance to this interweaving with an in-depth questioning about the meaning gazes, images and vision devices or, more generally, the visual media can have on literature. This research tries to define the ways in which changing cultures have addressed these questions; in particular in which ways English early modern culture, German nineteenth century fantastic, and French twentieth century natural ékphrasis have done it.
The Palgrave Handbook of Image Studies
This handbook brings together the most current and hotly debated topics in studies about images today. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new approaches and insights. The fifth chapter is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place.
Disaster Resilience and Human Settlements
This book presents emerging perspectives on disaster resilience and human settlements in the larger context of the Anthropocene. The chapters explore urban and rural perspectives focusing on the current and emerging perspectives on disaster resilience through a holistic approach, involving scientists, humanists, planners, policymakers, and professionals in the global debate.
W.J.T. Mitchell's Image Theory
W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
New Perspectives in Italian Cultural Studies
New Perspectives in Italian Cultural Studies. Volume 1: Definitions, Theory, and Accented Practices is a collection of essays that identifies a number of different approaches in cultural studies and in Italian cultural studies in particular. It highlights that history of cultural studies and new developments in the field as well focuses on practicing cultural studies with essays devoted to Italian hip hop culture, postcolonial Italy and queer diaspora, Occidentalism in Japan, Italian racism and colonialism.
The Artist as Inventor
Today the media arts not only address the great themes of our times, they inhabit the very media of which they speak. The contemporary is global, but only because of the media that enable globalisation. Those media are almost nowhere apparent in the mainstream practice of art that we see in biennials from Venice to Sao Paolo. The media arts reflect back to us our present condition, and in the archive present us with the ghosts of what we were, and what we failed to become. This book brings the reader into the centre of these strange encounters, introducing us to the rich legacies and futures of the most important arts of the last hundred years. It also looks ahead to the future and asks what happens to the condition of being human within the new constellation into which we are entering?
Monstrous Anatomies
The book explores the significance and dissemination of 'monstrous anatomies' in British and German culture by investigating how and why scientific and literary representations and descriptions of abnormal bodies were proposed in the late Enlightenment, during the Romantic and the Victorian Age. Since the investigations of late 18th-Century natural sciences, the fascination with monstrous anatomies has proved crucial to the study of human physiology and pathology. Featuring essays by a number of scholars focusing on a wide range of literary texts from the long nineteenth century and foregrounding the most important monstrous anatomies of the time, this book intends to offer a significant contribution to the study of the representations of the abnormal body in modern culture.
