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Artists, Advertising, and the Borders of Art
Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.
Sculpture in Gotham
Public sculpture is a major draw in today’s cities, and nowhere is this more the case than in New York. In the Big Apple, urban art has become synonymous with the municipal “brand,” highlighting the metropolis as vibrant, creative, tolerant, orderly, and above all, safe. Sculpture in Gotham tells the story of how the City of New York came to be committed to public art patronage beginning in the mid-1960s. In that era of political turbulence, cultural activists and city officials for a time shifted away from traditional monuments, joining forces to sponsor ambitious sculptural projects as an instrument for urban revitalization. Focusing on specific people, agencies and organizations, an...
The Politics of Urban Beauty
Since its founding in 1898, the Art Commission of the City of New York has served as the city's aesthetic gatekeeper, evaluating all works of art intended for display on city property. This text is a fascinating history of the Art Commission of the City of New York.
PUBLIC SCULPTURE CIVIL IDEAL PB
Bogart (art history, State University of New York, Stony Brook) explores how New York's celebrated municipal sculptures were supported, who created them, and why the majority of significant pieces were sponsored and produced between 1890 and 1920. Accounts of the most significant commissions (including NYPL) examine the institutional structure and organizational framework of public art patronage and production and document the complicated maneuvering for commissions. Illustrated with bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR
You Feel So Mortal
“[A] smart, witty, bittersweet book of writings about her own body . . . the author examines the journey of life inside that most imperfect of vessels.” —Chicago Tribune Feet, bras, autopsies, hair—Peggy Shinner takes an honest, unflinching look at all of them in this collection of searing and witty essays about the body: her own body, female and Jewish; those of her parents, the bodies she came from; and the collective body, with all its historical, social, and political implications. What, she asks, does this whole mess of bones, muscles, organs, and soul mean? Searching for answers, she turns her keen narrative sense to body image, gender, ethnic history, and familial legacy, expl...
Painting the Town
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A Companion to Public Art
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
Seven Minutes
He traces the development of the art at Disney, the forces that led to full animation, the whiteness of Snow White and Mickey Mouse becoming a logo.
Building Lives
Drawing on sources including Masonic manuals, tourist guidebooks and religious texts, this illustrated study explores the rites of building passage over the past 150 years. The author suggests that architecture is a performing art as well as a fine art.
Public Sculpture and the Civic Ideal in New York City, 1890-1930
Bogart's groundbreaking consideration of public art as a topic for serious scholarly consideration examines the sustained and organized effort to create in New York a body of municipal sculpture that would express the civic ideal: an urban vision of patriotism, civilization, and good government. It follows the brief movement through its rise and fall, attempting to explain why sponsorship for such civic projects lasted only for a limited time.
