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A Companion to Feminist Art
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simp...
Alchemy in Contemporary Art
Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.
The Parameters of Postmodernism
This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author's extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writ...
Volume One
"The work features over 280 works by more than 170 Australian artists drawn from a period of acquisitions which began with the consitution of the MCA in May 1989."--p. 17.
The World May be Fantastic
Running from May 15 until July 14, 2002, the Biennale of Sydney explores the way artists use narratives, models, fictions and fabrications to challenge and to change our interpretations of the world.
The & -files
"Modeled after the famed TV sci-fi series, The & -Files gathers a covert body of documents following the long and often controversial career of Art & Text, one of the landmark contemporary art magazines of the 1980s and 1990s."--Back cover
Sidney Nolan
Digging through the myths around Australia’s most famous artist, many of which he created himself as a masterful self-promoter, this book is the biography that Sidney Nolan deserves. In an authoritative, insightful and often irreverent biography that fully charts Nolan’s life and work, Nancy Underhill peels back the layers from a complicated, expedient and manipulative artistic genius. She carries the story from Nolan’s birth in 1917 to his death in 1992, tracing his early life, his experience as a commercial artist, his involvement in theAngry Penguins magazine, his painting and set design, his difficult marriages and friendships with some of the twentieth century’s most famous figures: Patrick White, Albert Tucker, Benjamin Britten, Robert Lowell, Stephen Spender and Kenneth Clark.
Wonder in Contemporary Artistic Practice
Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work.
Re-Visioning Arts and Cultural Policy
In this monograph, Jennifer Craik undertakes a critical and historical analysis of the main imperatives of arts and cultural policy in Australia. With forensic skill she examines the financial and policy instruments commonly relied upon in this much contested and diverse area of public policy. Craik uses her analysis of past and current policy responses as a platform for articulating future options. This is a valuable work for cultural professionals and administrators, art historians and, indeed, anyone with an abiding interest in the management of the nations cultural estate.
Feminist Perspectives on Art
When the body is foregrounded in artwork – as in much contemporary performance, sculptural installation and video work – so is gendered and sexualised difference. Feminist Perspectives on Art: Contemporary Outtakes looks to interactions between art history, theory, curation, and studio-based practices to theorise the phenomenological import of this embodied gender difference in contemporary art. The essays in this collection are rooted in a wide variety of disciplines, including art-making, curating, and art history and criticism, with many of the authors combining roles of curator, artist and writer. This interdisciplinary approach enables the book to bridge the theory–practice divide...
