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Lois Sloan
Printed on the occasion of the exhibition, Lois Sloan: Sculptor in the Members Gallery at the Riverside Art Museum Riverside, California, May 13 - September 16, 2015. Born in Minnesota in 1926, Lois Sloan lived and worked in Los Angeles throughout most of her adult life. This survey exhibition spans Sloan's impressive career as a sculptor and teacher. Mostly self-taught, she developed incredible mastery of her craft. Working primarily in marble and alabaster, her elegant sculptures are meticulously carved and thoroughly modern in form; the raw materials were so important to her that she once traveled to Carrara, Italy, to hand-select that famous marble.
Points on the Dial
The golden age of radio is often recalled as a time when the medium unified the nation, when families gathered around the radios in homes across the country to listen to live, commercially sponsored network broadcasts. In Points on the Dial, Alexander Russo revises our understanding of radio’s past by revealing the hidden histories of production, distribution, and reception practices during this era, which extended from the 1920s into the 1950s. Russo brings to light a tiered broadcasting system with intermingling but distinct national, regional, and local programming forms, sponsorship patterns, and methods of program distribution. Examining a wide range of practices, including regional networking, sound-on-disc transcription, the use of station representatives, spot advertising, and programming aimed at homes with several radios, he not only recasts our understanding of the relationship between national networks and local stations but also charts the development of new ways of listening—often distractedly rather than attentively—that set the stage for radio in the second half of the twentieth century.
Nixon's Shadow: The History of an Image
How an image-obsessed president transformed the way we think about politics and politicians. To his conservative supporters in 1940s southern California, Richard Nixon was a populist everyman; to liberal intellectuals of the 1950s, he was "Tricky Dick," a devious manipulator; to 1960s radicals, a shadowy conspirator; to the Washington press corps, a pioneering spin doctor; to his loyal Middle Americans, a victim of liberal hatred; to recent historians, an unlikely liberal. Nixon's Shadow rediscovers these competing images of the protean Nixon, showing how each was created and disseminated in American culture and how Nixon's tinkering with his own image often backfired. During Nixon's long tenure on the national stage—and through the succession of "new Nixons" so brilliantly described here—Americans came to realize how thoroughly politics relies on manipulation. Since Nixon, it has become impossible to discuss politics without asking: What is the politician's "real" character? How authentic or inauthentic is he? What image is he trying to project? More than what Nixon did, this fascinating book reveals what Nixon meant.
Postborder City
The postborder metropolis of Bajalta California stretches from Los Angeles in the north to Tijuana and Mexicali in the south. Immigrants from all over the globe flock to Southern California, while corporations are drawn to the low wage industry of the Mexican border towns, echoing developments in other rapid growth areas such as Phoenix, El Paso, and San Antonio. This incredibly diverse, transnational megacity is giving birth to new cultural and artistic forms as it rapidly evolves into something unique in the world. Postborder City is a genuinely interdisciplinary investigation of the hybrid culture on both sides of the increasingly fluid U. S.-Mexico border, spanning the disciplines of art and art history, urban planning, geography, Latina/o studies, and American studies.
The Diary of Albert Wang: October 2009-December 2009
"The Diary of Albert Wang: October 2009-December 2009" starts its narrative a little bit before his 33rd birthday. Encompassing much controversy as the first (most likely) public journal executed as a transcript of this performance artist's text messages during this time period, this book provides a profound look into the artist/writer's daily activities ranging from the business-like to the sexual/passionate tone. The secret life of a run-of-the-mill Salt Lake City resident and displaced New Yorker reveals too many details without flinching yet enveloping the essence of a single Asian male obsessed with daily text messaging and living as a work of art just like On Kawara with his date paintings and postcards. The reader will be taken on this intellectually salacious, experimental journey.
The Broad Contemporary Art Museum at the Los Angeles County Museum of Art, 2008
Foreword by Michael Govan. Text by Lynn Zelevansky.
KoreAm Journal
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España
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