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Imagining the Americas in Print
In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.
Amsterdam's Atlantic
In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the...
The Legacy of Dutch Brazil
This book argues that Dutch Brazil (1624–54) is an integral part of Atlantic history and that it made an impact well beyond colonial and national narratives in the Netherlands and Brazil. In doing so, this book proposes a radical shift in interpretation. The Dutch Atlantic is widely perceived as an incongruity among more durable European empires, whereas Brazil occupies an exceptional place in the history of Latin America, which leads to a view of Dutch Brazil as self-contained and historically isolated. The Legacy of Dutch Brazil shows that repercussions of the Dutch infiltration in the Southern Hemisphere resonated across the Atlantic Basin and remained long after the fall of the colony. By examining its regional, national, and cosmopolitan legacies, thirteen authors trace the memories and mythologies of Dutch Brazil from the colonial period up until the present day and engage in broader debates on geopolitical and cultural changes at the crossroads of Atlantic and Latin American studies.
The Representations of the Overseas World in the De Bry Collection of Voyages (1590-1634)
This book deals with the De Bry collection of voyages, one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and the New World. It discusses this editorial strategy in the context of the publishing industry around 1600, investigating the biography of the De Brys, the publications of the Frankfurt firm, and the making of the collection, as well as its reception by Iberian inquisitors and seventeenth-century readers across the Old World. The book draws on a wide variety of primary sources, and is hence important for historians, book historians, and art historians interested in the development of Europe's overseas empires.
The Expansion of Tolerance
Of all the European powers, the Dutch were considered the most tolerant of minority religious practices in their colonies. In The Expansion of Tolerance, a pair of historians examines this unusual sensitivity in the case of the seventeenth-century Dutch colonies of Brazil. Jonathan Israel demonstrates that religious tolerance under Dutch rule in Brazil was unprecedented. Catholics and Jews coexisted peacefully with the Protestant majority and were allowed freedom of conscience and unfettered private worship. Stuart Schwartz then considers the Dutch example in light of the Portuguese colonies in Brazil, revealing that the Portuguese were surprisingly tolerant as well. This collaboration will be of interest to anyone studying colonial history or the history of religious tolerance.
Theodore de Bry. America
When the New World was really new, Theodore de Bry drew inspiration from some of history's greatest explorers to record its wonders. From Virginia and Florida to Brazil, his work captivated the European imagination with visions of freshly discovered landscapes, customs, and peoples. This reproduction brings together his finest engravings of...
Early Modern Dutch Prints of Africa
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tr...
The Legacy of Dutch Brazil
This book argues that Dutch Brazil (1624D54) is an integral part of Atlantic history and that it made an impact well beyond colonial and national narratives in the Netherlands and Brazil. In doing so, this book proposes a radical shift in interpretation. The Dutch Atlantic is widely perceived as an incongruity among more durable European empires, whereas Brazil occupies an exceptional place in the history of Latin America, which leads to a view of Dutch Brazil as self-contained and historically isolated. The Legacy of Dutch Brazil shows that repercussions of the Dutch infiltration in the Southern Hemisphere resonated across the Atlantic Basin and remained long after the fall of the colony. By examining its regional, national, and cosmopolitan legacies, thirteen authors trace the memories and mythologies of Dutch Brazil from the colonial period up until the present day and engage in broader debates on geopolitical and cultural changes at the crossroads of Atlantic and Latin American studies."
The Cambridge Companion to the Dutch Golden Age
During the seventeenth century, the Dutch Republic was transformed into a leading political power in Europe, with global trading interests. It nurtured some of the period's greatest luminaries, including Rembrandt, Vermeer, Descartes and Spinoza. Long celebrated for its religious tolerance, artistic innovation and economic modernity, the United Provinces of the Netherlands also became known for their involvement with slavery and military repression in Asia, Africa, and the Americas. This Companion provides a compelling overview of the best scholarship on this much debated era, written by a wide range of experts in the field. Unique in its balanced treatment of global, political, socio-economic, literary, artistic, religious, and intellectual history, its nineteen chapters offer an indispensable guide for anyone interested in the world of the Dutch Golden Age.
The Dutch Trading Companies As Knowledge Networks
For more than a century, from about 1600 until the early eighteenth century, the Dutch dominated world trade. Via the Netherlands the far reaches of the world, both in the Atlantic and in the East, were connected. Dutch ships carried goods, but they also opened up opportunities for the exchange of knowledge. The commercial networks of the Dutch trading companies provided an infrastructure which was accessible to people with a scholarly interest in the exotic world. The present collection of essays brings together a number of studies about knowledge construction that depended on the Dutch trading networks. Contributors include: Paul Arblaster, Hans den Besten, Frans Blom, Britt Dams, Adrien Delmas, Alette Fleischer, Antje Flüchter, Michiel van Groesen, Henk de Groot, Julie Berger Hochstrasser, Grégoire Holtz, Siegfried Huigen, Elspeth Jajdelska, Maria-Theresia Leuker, Edwin van Meerkerk, Bruno Naarden, and Christina Skott.
