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This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski’s work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski’s departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" — the very question that drove his stage directing work. The book demonstrates that the answer led him thr...
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Containing translations of three major plays, in his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance.
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The intellectual and cultural impact of British and Irish writers cannot be assessed without reference to their reception in European countries. These essays, prepared by an international team of scholars, critics and translators, record the ways in which W. B. Yeats has been translated, evaluated and emulated in different national and linguistic areas of continental Europe. There is a remarkable split between the often politicized reception in Eastern European countries but also Spain on the one hand, and the more sober scholarly response in Western Europe on the other. Yeats's Irishness and the pre-eminence of his lyrical work have posed continuous challenges. Three further essays describe the widely divergent reactions to Yeats in his native Ireland, during his lifetime and up to the most recent years.
Escaping Kakania is about fascinating characters—soldiers, doctors, scientists, writers, painters—who traveled from their eastern European homelands to colonial Southeast Asia. Their stories are told by experts on different countries in the two regions, who bring diverse approaches into a conversation that crosses disciplinary and national borders. The 14 chapters deal with the diverse encounters of eastern Europeans with the many faces of colonial southeast Asia. Some essays directly engage with post-colonial studies, contributing to an ongoing critical re-evaluation of eastern European “semi-peripheral” (non-)involvement in colonialism. Other chapters disclose a range of perspectiv...
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.