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Summary: Covers the myths and legends of the Russian Empire at its greatest extent as well as other Slavic people and countries. Includes historical, geographical, and biographical background information
Encyclopedia of Greco-Roman Mythology presents over 1,400 comprehensive A–Z entries of the myths and legends of ancient Greece and Rome. The entries are cross-referenced where appropriate, and an extensive bibliography is provided. Entries include Heracles and Alexander the Great, and geographical features such as the islands of the Blessed and Dardanelles. An unusual feature of this dictionary is the inclusion of astronomical data, linking the myths and legends to the celestial objects named after them. Diverse characters and events from related traditions—Greco-Egyptian, Roman-Celtic, and more—round out the volume. Students of classical Greek and Roman traditions, librarians, and general readers will turn to this volume again and again for authoritative information on the myths and legends of these ancient cultures.
The author fuses two of the most fascinating mythic traditions together in a single reference tool that combines both Authurian legends and Celtic myths, providing accessible data on each, as well as illuminating illustrations.
Robin Hood, whether riding through the glen, robbing the rich to pay the poor or giving the Sheriff of Nottingham his come-uppance, is one of the most captivating and controversial legendary figures. Was there a historical figure behind the legends? Did Robin and his Merry Men rampage through Sherwood Forest? Or did he spend most of his time in Barnsdale Wood in Yorkshire? And is the story of the freedom-loving Saxons refusing to be put under the Norman yoke, as portrayed in the Errol Flynn films, true?
Edwin Hatch provided a colorful portrait of the religious world to which Justin Martyr belonged: "The main subject-matter of . . . literary education [amongst the pagans] was the poets. . . . They were read as we read the Bible. They were committed to memory. The minds of men were saturated with them. A quotation from Homer or from a tragic poet was apposite on all occasions and in every kind of society" (The Influence of Greek Ideas on Christianity, 1957). So when some of these pagans converted to Christianity in Justin's day, is it reasonable to assume that they simply "forgot" these mythical narratives in which they had been reared from childhood? Re-appropriating "Marvelous Fables" sets out to argue that this was hardly the case. Rather, Justin in 1 Apology can be seen taking full advantage of this mythical framework that still loomed large in the minds of fledgling Christian believers and students in his care--masterfully re-appropriating this popular form of religious discourse for the purpose of solidifying their newfound faith.
Uniting the foundations of physics and biology, this groundbreaking multidisciplinary and integrative book explores life as a planetary process.
How To Get Rid of Jesus: Prove He Didn't Exist! A popular question posed by Christians today asks, "WWJD?" - which stands for, "What Would Jesus Do?" For more and more Skeptics of Christianity, however, the answer to this question is, "JDNE" - which stands for, "Jesus did not exist!" In this volume, edited by prominent Internet apologist James Patrick Holding, a team of Christian authors provide a series of essays giving detailed answers to those who argue for the "Christ myth." Though rejected by mainstream scholars, this theory continues to grow in popularity among popular writers and Internet antagonists. The need for Christians to be ready to give an answer to it will only become more urgent. "Here's a clear and compelling rebuttal to fallacious claims that keep resurfacing in books and on the Internet. It's well-researched, expertly presented, and ultimately convincing." - Lee Strobel, author, The Case for the Real Jesus
The essays in this book examine various manifestations of monstrosity in the early literatures of England, Ireland and Scandinavia. The dates of the texts discussed range from the eighth to the thirteenth centuries and were written either in Latin or in one of the vernaculars. The present contributions shed light on the physical, mental and metaphysical qualities that characterize medieval monsters in general. How do such creatures relate to accepted physical norms? How do their behaviours deviate from established cultural practices? How can their presence in both fictional and non-fictional texts be explained either in terms of a textual tradition or as a response to actual events? Such issues are examined from literary, philological, theological, and historical points of view in order to provide a thorough, multifaceted depiction of the sub- and supernatural monsters of medieval Northwest Europe.
From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. This fascinating and illuminating guide is written by two of the leading contemporary scholars of medieval literature, and explores: The influence of medieval cultural concepts on literature and film, including key authors such as Shakespeare, Tennyson, and Mark Twain The continued appeal of medieval cultural figures such as Dante, King Arthur, and Robin Hood The influence of the medieval on such varied disciplines such as politics, music, children’s literature, and art. Contemporary efforts to relive the Middle Ages. Medievalisms: Making the Past in the Present surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the medieval period through to the twenty-first century.
In this monograph, the author argues that Satan was not perceived as a universal malevolent deity, the embodiment of evil, or the “ruler of Pandemonium” within first century Christian literature or even within second and third century Christian discourses as some scholars have insisted. Instead, for early “Christian” authors, Satan represented a pejorative term used to describe terrestrial, tangible, and concrete social realities, perceived of as adversaries. To reach this conclusion, I explore the narrative character of Satan selectively within the Hebrew Bible, intertestamental literature, Mark, Matthew, Luke, Q, the Book of Revelation, the Nag Hammadi texts, and the Ante-Nicene fa...